| 2005 | A cultural systems approach to collaboration in art & technology. Stephen Jones |
| 2005 | A strange dance: the creative collaborative origins & processes of "9 evenings: theatre & engineering". Robin Oppenheimer |
| 2005 | A theory of error. Kellyann Geurts |
| 2005 | Aesthetics and interactive art. Margaret A. Boden |
| 2005 | Amplifying reflective thinking in musical performance. Andrew Johnston, Shigeki Amitani, Ernest A. Edmonds |
| 2005 | Art, digitality and consciousness. Guy Birkin |
| 2005 | Burning Sappho's books. Alexandra Haeseker |
| 2005 | Causality and virtual reality art. Marc Cavazza, Jean-Luc Lugrin, Sean Crooks, Alok Nandi, Mark Palmer, Marc Le Renard |
| 2005 | Cognitive factors in design: overview and some implications for design. Thomas T. Hewett |
| 2005 | Computational aesthetics as a tool for creativity. Gary R. Greenfield |
| 2005 | Computational schemes for biomimetic sculpture. Brower Hatcher, Karl Aspelund, Andrew R. Willis, Jasper Speicher, David B. Cooper, Frederic F. Leymarie |
| 2005 | Computer art: a personal recollection. Frieder Nake |
| 2005 | Constituting, traversing and perforating boundaries: embodied interaction in immersive virtual spaces. Petra Gemeinboeck |
| 2005 | Constructed narratives a tangible social interface. Pamela Jennings |
| 2005 | Creating histories. Paul Brown, Phil Husbands, Margaret A. Boden, Catherine Mason, Alan Sutcliffe |
| 2005 | Design for design: support for creative practice in computer-supported collaborative work (CSCW) in design. Phebe Mann |
| 2005 | Developing character personas and scenarios: vital steps in theatrical performance and HCI goal-directed design. Lori Shyba, James Tam |
| 2005 | Digital crustaceans: homesteading on the world wide web. Ingrid Bachmann |
| 2005 | Digital cultural communication: designing co-creative new media environments. Jerry Watkins, Angelina Russo |
| 2005 | Distances and diversity: sources for social creativity. Gerhard Fischer |
| 2005 | Drawing in three dimensions: a paradigm shift. Stuart Mealing |
| 2005 | Exhibition: computational schemes for biomimetic sculpture. Brower Hatcher, Karl Aspelund, Andrew R. Willis, Jasper Speicher, David B. Cooper, Frederic F. Leymarie |
| 2005 | Freedom and constraint in the creative process in digital fine art: an AHRB invited workshop. John Haworth, Sue Gollifer, James Faure Walker, Paul Coldwell, Tom Kemp, Jon Pengelly |
| 2005 | From function to context to form: precedents and focus shifts in the form creation process. John Restrepo, Henri Christiaans |
| 2005 | Generating pen-plotter drawings from selective point-sets of digital photographs. Hans E. Dehlinger |
| 2005 | Gesture and response in field-based performance. Sha Xin Wei, Satinder P. Gill |
| 2005 | GoingPublik: suggesting creativity inside the ivory tower. Jürg Gutknecht, Arthur Clay, Thomas M. Frey |
| 2005 | Gridjam. Jack Ox |
| 2005 | Invisible sculpture #1. Lorraine Oades |
| 2005 | Knowledge nebula crystallizer for time-based information. Shigeki Amitani, Ernest A. Edmonds |
| 2005 | Kyoto to Sheffield. Ernest A. Edmonds, Mark Fell |
| 2005 | Losers and finders: indexing audio-visual digital media. Mike Leggett |
| 2005 | Memory rich clothing: second skins that communicate physical memory. Joanna Berzowska |
| 2005 | Musical form and algorithmic solutions. Peter Copley, Andrew Gartland-Jones |
| 2005 | PathScape: indexing audio-visual digital media. Mike Leggett |
| 2005 | Proceedings of the 5th Conference on Creativity & Cognition, London, United Kingdom, April 12-15, 2005 Ernest A. Edmonds, Linda Candy, Paul Brown, Thomas T. Hewett, Janis Jefferies |
| 2005 | Reflections on Gordon Pask's adaptive teaching concepts and their relevance to modern knowledge systems. George Mallen |
| 2005 | Sleepless night: amnesia. Derek Michael Besant |
| 2005 | Social networks for creative collaboration. Tracy Cohen, Ben Clemens |
| 2005 | Society of neurons: an arts/science project. Warren Neidich, Robert Zimmer, Thibaud de Souza |
| 2005 | Sponge: a case study in practice-based collaborative art research. Christopher L. Salter, Sha Xin Wei |
| 2005 | Streaming video: an experiment in new aesthetics. Jim Bizzocchi |
| 2005 | Supporting reflective practice in creativity education. Norio Ishii, Kazuhisa Miwa |
| 2005 | Tangible social interfaces: critical theory, boundary objects and interdisciplinary design methods. Pamela Jennings |
| 2005 | Tech-tiles: exploring texture. Tim Blackwell, Janis Jefferies |
| 2005 | The CACHe project: its work and outcomes. Nicholas Lambert |
| 2005 | The amateur creator. Stephen Boyd Davis, Magnus Moar |
| 2005 | The development of a cybernetic sculptor: Edward Ihnatowicz and the senster. Aleksandar Zivanovic |
| 2005 | The homespun museum: computers, fabrication, and the design of personalized exhibits. Michael Eisenberg, Nwanua Elumeze, Leah Buechley, Glenn Blauvelt, Sue Hendrix, Ann Eisenberg |
| 2005 | The renaissance is over: long live the renaissance. Bill Buxton |
| 2005 | The summer 1968 in London and Zagreb: starting or end point for computer art? Christoph Klütsch |
| 2005 | The tools of online community: the first five years of the trAce online writing centre. Sue Thomas |
| 2005 | Timeline of a drawing research methodology 1983 - 2004. Peter Steel |
| 2005 | Twining: a demonstration in wearable computing. Barbara Layne, Yacov Sharir |
| 2005 | Understanding design as a social creative process. Andy Warr, Eamonn O'Neill |
| 2005 | Variations: an interactive musical sculpture. Bruce Wands |
| 2005 | Wearable body organs: critical cognition becomes (again) somatic. Kelly Dobson |
| 2005 | Work in process: artists' collaborations in fashion and textiles. Sandy Black, Morris Baker |