Creativity & Cognition B

30 papers

YearTitle / Authors
20022 performances in the 21st century virtual color organ.
Jack Ox
2002A concept to facilitate musical expression.
Chika Oshima, Kazushi Nishimoto, Yohei Miyagawa, Takashi Shirosaki
2002A model for information technologies that can be creative.
Johan F. Hoorn
2002A system to support long-term creative thinking in daily life and its evaluation.
Hirohito Shibata, Koichi Hori
2002Acting to know: improving creativity in the design of mobile services by using performances.
Kari Kuutti, Giulio Iacucci, Carlo Iacucci
2002Cognitive mechanisms underlying the creative process.
Liane Gabora
2002Computational models of creative designing based on situated cognition.
John S. Gero
2002Computer aided creativity: practical experience and theoretical concerns.
Robert Pepperell
2002Computers and modern art: digital art museum.
Mike King
2002Concept-context-design: a creative model for the development of interactivity.
Andruid Kerne
2002Creative cognition in design: processes of exceptional designers.
Nigel Cross
2002Creativity support tools: a tutorial overview.
Ben Shneiderman
2002Cybernetic serendipity revisited.
Brent MacGregor
2002Functions of sketching in design idea generation meetings.
Remko van der Lugt
2002Generator: the dialectics of orderly disorder.
Geoff Cox
2002How designers transform keywords into visual images.
Yukari Nagai, Hisataka Noguchi
2002How to study artificial creativity.
Rob Saunders, John S. Gero
2002Interaction design as a collective creative process.
Kumiyo Nakakoji, Yasuhiro Yamamoto, Atsushi Aoki
2002Interactive processes between mental and external operations in creative activity: a comparison of experts' and novices' performance.
Norio Ishii, Kazuhisa Miwa
2002Modeling co-creativity in art and technology.
Linda Candy, Ernest A. Edmonds
2002Panel: research into art and technology.
Linda Candy, Bronac Ferran, Judith Mottram, Ernest A. Edmonds, John Haworth, Jon Pettigrew
2002Proceedings of the 4th Conference on Creativity & Cognition, Loughborough, United Kingdom, October 13-16, 2002
Ernest A. Edmonds, Linda Candy, Terence Kavanagh, Thomas T. Hewett
2002QSketcher: an environment for composing music for film.
Steven Abrams, Ralph Bellofatto, Robert M. Fuhrer, Daniel Oppenheim, James L. Wright, Richard Boulanger, Neil Leonard, David Mash, Michael Rendish, Joe Smith
2002Recognizing creative needs in user interface design.
Michael A. Terry, Elizabeth D. Mynatt
2002Scripting the interactor: an approach to VR drama.
Josephine Anstey, Dave Pape
2002Sounds of artificial life.
Eduardo Reck Miranda
2002Supporting creativity in problem solving environments.
Marc Vass, John M. Carroll, Clifford A. Shaffer
2002Supporting musical composition by externalizing the composer's mental space.
Shigeki Amitani, Koichi Hori
2002The impact of functional knowledge on sketching.
Winger Tseng, Stephen A. R. Scrivener, Linden J. Ball
2002Why use computers to make drawings?
George Whale