Sergio Canazza

76 papers B 1C 2Misc 1Journal 33Unranked 38
YearRankTypeTitle / Venue / Authors
2025 J jnl
Restoration and reactivation approaches in computer music and time-based media art.
Multim. Tools Appl.
Alessandro Russo, Alessandro Fiordelmondo, Andrea Franceschini, Sergio Canazza
2025 — conf
Short Sound Messages for Enhancing Digital Accessibility and Reducing Digital Divide.
GoodIT
Manuele Favero, Chiara Schiavo, Mirco Zavarise, Leonardo Badia, Sergio Canazza, Luciano Murrone
2024 J jnl
A Signal-Processing-Based Simulation System for High-End Stereo Headsets.
Sensors
Anna Zuccante, Alessandro Fiordelmondo, Pierluigi Bontempi, Sergio Canazza
2024 — conf
Filming the sound: Anomaly Detection on Audio Tape Recordings using Computer Vision Algorithms (full paper).
IAI4CH@AI*IA
Zafer Çinar, Alessandro Russo, Matteo Spanio, Niccolò Pretto, Sergio Canazza
2024 J jnl
From MIDI to Rich Tablatures: an Automatic Generative System incorporating Lead Guitarists' Fingering and Stylistic choices.
CoRR
Pierluigi Bontempi, Daniele Manerba, Alexandre D'Hooge, Sergio Canazza
2024 J jnl
From Tape to Code: An International AI-Based Standard for Audio Cultural Heritage Preservation - Don't Play That Song for me (If it's Not Preserved With ARP!).
IEEE Access
Marina Bosi, Sergio Canazza, Niccolò Pretto, Alessandro Russo, Matteo Spanio
2024 J jnl
Reactivating and Preserving Interactive Multimedia Artworks: An Analog Performance from the Seventies.
ACM Journal on Computing and Cultural Heritage
Alessandro Fiordelmondo, Sergio Canazza, Niccolò Pretto
2024 — conf
Virtual recreation of an interactive multimedia art installation from 1977.
AVICH@AVI
Alessandro Russo, Andrea Franceschini, Antonio Rodà, Sergio Canazza
2023 — conf
Enhancing Preservation and Restoration of Open Reel Audio Tapes Through Computer Vision.
ICIAP Workshops (2)
Alessandro Russo, Matteo Spanio, Sergio Canazza
2023 J jnl
Research in Computational Expressive Music Performance and Popular Music Production: A Potential Field of Application?
Multimodal Technol. Interact.
Pierluigi Bontempi, Sergio Canazza, Filippo Carnovalini, Antonio Rodà
2022 J jnl
Gesture, Music and Computer: The Centro di Sonologia Computazionale at Padova University, a 50-Year History.
Sensors
Sergio Canazza, Giovanni De Poli, Alvise Vidolin
2022 J jnl
Harmonization and Evaluation; Tweaking the Parameters on Human Listeners.
CoRR
Filippo Carnovalini, Alessandro Pelizzo, Antonio Rodà, Sergio Canazza
2021 — conf
A workflow and novel digital filters for compensating speed and equalization errors on digitized audio open-reel tapes.
Audio Mostly Conference
Niccolò Pretto, Nadir Dalla Pozza, Alberto Padoan, Anthony Chmiel, Kurt James Werner, Alessandra Micalizzi, Emery Schubert, Antonio Rodà, Simone Milani, Sergio Canazza
2021 — conf
FONTI 4.0: Evaluating Speech-to-Text Automatic Transcription of Digitized Historical Oral Sources.
CLiC-it
Roberta Bianca Luzietti, Niccolò Pretto, Frédéric Kaplan, Alain Dufaux, Sergio Canazza
2021 J jnl
How to play a MOOC: Practices and simulation.
Entertain. Comput.
Dario De Notaris, Sergio Canazza, Carlo Mariconda, Cristina Paulon
2021 J jnl
Multimedia Archives: New Digital Filters to Correct Equalization Errors on Digitized Audio Tapes.
Adv. Multim.
Niccolò Pretto, Edoardo Micheloni, Anthony Chmiel, Nadir Dalla Pozza, Dario Marinello, Emery Schubert, Sergio Canazza
2020 J jnl
Technology-Enhanced Interaction with Cultural Heritage: An Antique Pan Flute from Egypt.
ACM Journal on Computing and Cultural Heritage
Niccolò Pretto, Edoardo Micheloni, Silvia Gasparotto, Carlo Fantozzi, Giovanni De Poli, Sergio Canazza
2019 J jnl
Four Decades of Music Research, Creation, and Education at Padua's Centro di Sonologia Computazionale.
Comput. Music. J.
Sergio Canazza, Giovanni De Poli
2018 J jnl
Computing Methodologies Supporting the Preservation of Electroacoustic Music from Analog Magnetic Tape.
Comput. Music. J.
Niccolò Pretto, Carlo Fantozzi, Edoardo Micheloni, Valentina Burini, Sergio Canazza
2018 J jnl
Inclusive sound and music serious games in a large-scale responsive environment.
Br. J. Educ. Technol.
Marcella Mandanici, Federico Altieri, Antonio Rodà, Sergio Canazza
2018 — conf
The "Good or Bad?" Game: Stimulating Listening Skills through Playful Engagement.
GOODTECHS
Marcella Mandanici, Federico Altieri, Niccolò Pretto, Matteo Munaro, Sergio Canazza, Emanuele Menegatti
2017 — conf
A Step Toward AI Tools for Quality Control and Musicological Analysis of Digitized Analogue Recordings: Recognition of Audio Tape Equalizations.
AI*CH@AI*IA
Edoardo Micheloni, Niccolò Pretto, Sergio Canazza
2017 — conf
Following the Cuckoo Sound: A Responsive Floor to Train Blind Children to Avoid Veering.
GOODTECHS
Marcella Mandanici, Antonio Rodà, Sergio Canazza, Giulia Cavagnoli
2017 J jnl
Tape music archives: from preservation to access.
Int. J. Digit. Libr.
Carlo Fantozzi, Federica Bressan, Niccolò Pretto, Sergio Canazza
2016 — conf
Hermeneutic Implications of Cultural Encoding: A Reflection on Audio Recordings and Interactive Installation Art.
IRCDL
Federica Bressan, Sergio Canazza, Tim Vets, Marc Leman
2016 J jnl
The
Adv. Multim.
Marcella Mandanici, Antonio Rodà, Sergio Canazza
2015 — conf
A conceptual framework for motion based music applications.
SIVE@VR
Marcella Mandanici, Antonio Rodà, Sergio Canazza
2015 J jnl
Accessing Tape Music Documents on Mobile Devices.
ACM Trans. Multim. Comput. Commun. Appl.
Sergio Canazza, Carlo Fantozzi, Niccolò Pretto
2015 J jnl
CaRo 2.0: An Interactive System for Expressive Music Rendering.
Adv. Hum. Comput. Interact.
Sergio Canazza, Giovanni De Poli, Antonio Rodà
2014 J jnl
Clustering Affective Qualities of Classical Music: Beyond the Valence-Arousal Plane.
IEEE Trans. Affect. Comput.
Antonio Rodà, Sergio Canazza, Giovanni De Poli
2014 — conf
Digital Philology in Audio Long-term Preservation: A Multidisciplinary Project on Experimental Music.
IRCDL
Federica Bressan, Sergio Canazza
2014 — conf
How blue is Mozart? Non verbal sensory scales for describing music qualities.
ICMC
Maddalena Murari, Antonio Rodà, Osvaldo Da Pos, Sergio Canazza, Giovanni De Poli, Marta Sandri
2014 — conf
Music Systemisers and Music Empathisers - Do they rate expressiveness of computer generated performances the same?
ICMC
Emery Schubert, Giovanni De Poli, Antonio Rodà, Sergio Canazza
2014 — conf
The "Harmonic Walk": an Interactive Educational Environment to Discover Musical Chords.
ICMC
Marcella Mandanici, Antonio Rodà, Sergio Canazza
2014 — conf
The Counterpoint Game: Rules, Constraints and Computational Spaces.
ICMC
Mattia Samory, Marcella Mandanici, Sergio Canazza, Enoch Peserico
2014 J jnl
The Role of Individual Difference in Judging Expressiveness of Computer-Assisted Music Performances by Experts.
ACM Trans. Appl. Percept.
Giovanni De Poli, Sergio Canazza, Antonio Rodà, Emery Schubert
2014 J jnl
The challenge of preserving interactive sound art: a multi-level approach.
Int. J. Arts Technol.
Federica Bressan, Sergio Canazza
2013 J jnl
A Multimodal Learning System for Individuals with Sensorial, Neuropsychological, and Relational Impairments.
J. Sensors
Sergio Canazza, Gian Luca Foresti
2013 J jnl
A Systemic Approach to the Preservation of Audio Documents: Methodology and Software Tools.
J. Electr. Comput. Eng.
Federica Bressan, Sergio Canazza
2013 J jnl
Adaptive Time Delay Estimation Using Filter Length Constraints for Source Localization in Reverberant Acoustic Environments.
IEEE Signal Process. Lett.
Daniele Salvati, Sergio Canazza
2013 J jnl
Entertaining listening by means of the Stanza Logo-Motoria: an Interactive Multimodal Environment.
Entertain. Comput.
Serena Zanolla, Sergio Canazza, Antonio Rodà, Antonio Camurri, Gualtiero Volpe
2013 C conf
Interactive Multimedia Installations: Towards a Model for Preservation.
ArtsIT
Federica Bressan, Sergio Canazza, Antonio Rodà
2013 J jnl
The Safeguard of Audio Collections: A Computer Science Based Approach to Quality Control - The Case of the Sound Archive of the Arena di Verona.
Adv. Multim.
Federica Bressan, Antonio Rodà, Sergio Canazza, Federico Fontana, Roberta Bertani
2012 — ch.
A Network of Audio and Video Sensors for Monitoring Large Environments.
Handbook of Soft Computing for Video Surveillance
Claudio Piciarelli, Sergio Canazza, Christian Micheloni, Gian Luca Foresti
2012 — conf
A microphone array Interface for Real-Time Interactive Music Performance.
ICMC
Daniele Salvati, Sergio Canazza, Gian Luca Foresti
2012 J jnl
The digital curation of ethnic music audio archives: from preservation to restoration - Preserving a multicultural society.
Int. J. Digit. Libr.
Sergio Canazza
2011 — conf
Audio-Video Analysis of Musical Expressive Intentions.
ICIAP (2)
Ingrid Visentini, Antonio Rodà, Sergio Canazza, Lauro Snidaro
2011 B conf
Multiple acoustic sources localization using incident Signal Power comparison.
AVSS
Daniele Salvati, Antonio Rodà, Sergio Canazza, Gian Luca Foresti
2011 — conf
Teaching by Means of a Technologically Augmented Environment: The Stanza Logo-Motoria.
INTETAIN
Serena Zanolla, Antonio Rodà, Filippo Romano, Francesco Scattolin, Gian Luca Foresti, Sergio Canazza, Corrado Canepa, Paolo Coletta, Gualtiero Volpe
2011 — conf
Towards a Procedure for Quality Control on Large Collections of Digitized Audio Data: The Case of the "Fondazione Arena di Verona".
MM4CH
Federica Bressan, Sergio Canazza
2010 — conf
Audio Objects Access: Tools for the Preservation of the Cultural Heritage.
IRCDL
Sergio Canazza, Nicola Orio
2010 J jnl
Ethnic music audio documents: From preservation to fruition.
Signal Process.
Sergio Canazza, Antonio Camurri, Ichiro Fujinaga
2010 Misc conf
Listening the photos.
SAC
Sergio Canazza, Antonina Dattolo
2010 J jnl
Restoration of Audio Documents by Means of Extended Kalman Filter.
IEEE Trans. Speech Audio Process.
Sergio Canazza, Giovanni De Poli, Gian Antonio Mian
2010 — conf
Toward an Audio Digital Library 2.0: Smash, a Social Music Archive of SHellac Phonographic Discs.
IRCDL
Sergio Canazza, Antonina Dattolo
2009 J jnl
Audio-video biometric recognition for non-collaborative access granting.
J. Vis. Lang. Comput.
Christian Micheloni, Sergio Canazza, Gian Luca Foresti
2009 — conf
Digital Preservation and Access of Audio Heritage: A Case Study for Phonographic Discs.
ECDL
Sergio Canazza, Nicola Orio
2009 J jnl
Methodologies and tools for audio digital archives.
Int. J. Digit. Libr.
Nicola Orio, Lauro Snidaro, Sergio Canazza, Gian Luca Foresti
2008 — conf
New Data Structure for Old Musical Open Works.
NIME
Sergio Canazza, Antonina Dattolo
2008 C conf
Soft data issues in fusion of video surveillance.
FUSION
Giovanni Ferrin, Lauro Snidaro, Sergio Canazza, Gian Luca Foresti
2004 J jnl
Modeling and control of expressiveness in music performance.
Proc. IEEE
Sergio Canazza, Giovanni De Poli, Carlo Drioli, Antonio Rodà, Alvise Vidolin
2002 — conf
Comparison of different audio restoration methods based on frequency and time domains with applications on electronic music repertoire.
ICMC
Sergio Canazza, Giovanni De Poli, Gian Antonio Mian, Alessandro Scarpa
2002 — conf
Real Time Analysis of Expressive Contents in Piano Performances.
ICMC
Sergio Canazza, Giovanni De Poli, Antonio Rodà, Giulio Soleni, Patrick Zanon
2001 — conf
An Objective and Subjective Comparison of Audio Restoration Systems.
ICHIM (2)
Sergio Canazza, Guido Coraddu, Giovanni De Poli, Gian Antonio Mian
2001 — conf
Expressive Morphing for Interactive Performance of Musical Scores.
WEDELMUSIC
Sergio Canazza, Alvise Vidolin, Giovanni De Poli, Carlo Drioli, Antonio Rodà
2000 J jnl
Audio Morphing Different Expressive Intentions for Multimedia Systems.
IEEE Multim.
Sergio Canazza, Giovanni De Poli, Carlo Drioli, Antonio Rodà, Alvise Vidolin
2000 — conf
Improving the Extended Kalman Filter Method for the Restoration of Electro-Acoustic Music.
ICMC
Andrea Bari, Sergio Canazza, Giovanni De Poli, Gian Antonio Mian
2000 — conf
Real-Time Morphing Among Different Expressive Intentions in Audio Playback.
ICMC
Sergio Canazza, Giovanni De Poli, Carlo Drioli, Antonio Rodà, Federico Zamperini
1999 — conf
A Parametric Model of Expressiveness in Musical Performance Based on Perceptual and Acoustic Analysis.
ICMC
Sergio Canazza, Antonio Rodà, Nicola Orio
1999 — conf
Adding Expressiveness in Musical Performance in Real Time.
ICMCS, Vol. 2
Antonio Rodà, Sergio Canazza
1999 — conf
Adding Expressiveness to Musical Messages.
ICMCS, Vol. 2
Sergio Canazza, Giovanni De Poli, Antonio Rodà, Alvise Vidolin
1999 — conf
Expressive Processing of Audio and MIDI Performances in Real Time.
ICMC
Sergio Canazza, Giovanni De Poli, Riccardo Di Federico, Carlo Drioli, Antonio Rodà
1998 — conf
A Model To Add Expressiveness To Automatic Musical Performance.
ICMC
Sergio Canazza, Giovanni De Poli, Gianni Di Sanzo, Alvise Vidolin
1997 — conf
Analysis by synthesis of the expressive intentions in musical performance.
ICMC
Sergio Canazza, Giovanni De Poli, Antonio Rodà, Alvise Vidolin
1996 — conf
Perceptual Analysis of the Musical Expressive Intention in a Clarinet Performance.
Joint International Conference on Cognitive and Systematic Musicology
Sergio Canazza, Giovanni De Poli, Alvise Vidolin
1996 — conf
Sonological Analysis of Clarinet Expressivity.
Joint International Conference on Cognitive and Systematic Musicology
Sergio Canazza, Giovanni De Poli, Stefano Rinaldin, Alvise Vidolin