Miller S. Puckette

49 papers A* 1A 1Journal 8Unranked 39

Year	Rank	Type	Title / Venue / Authors
2022	—	`conf`	Improving Choral Music Separation through Expressive Synthesized Data from Sampled Instruments. ISMIR Ke Chen, Hao-Wen Dong, Yi Luo, Julian J. McAuley, Taylor Berg-Kirkpatrick, Miller S. Puckette, Shlomo Dubnov
2022	J	`jnl`	Improving Choral Music Separation through Expressive Synthesized Data from Sampled Instruments. CoRR Ke Chen, Hao-Wen Dong, Yi Luo, Julian J. McAuley, Taylor Berg-Kirkpatrick, Miller S. Puckette, Shlomo Dubnov
2019	—	`conf`	Adversarial Audio Synthesis. ICLR (Poster) Chris Donahue, Julian J. McAuley, Miller S. Puckette
2019	A	`conf`	Expediting TTS Synthesis with Adversarial Vocoding. INTERSPEECH Paarth Neekhara, Chris Donahue, Miller S. Puckette, Shlomo Dubnov, Julian J. McAuley
2019	J	`jnl`	Expediting TTS Synthesis with Adversarial Vocoding. CoRR Paarth Neekhara, Chris Donahue, Miller S. Puckette, Shlomo Dubnov, Julian J. McAuley
2018	—	`conf`	Synthesizing Audio with GANs. ICLR (Workshop) Chris Donahue, Julian J. McAuley, Miller S. Puckette
2018	J	`jnl`	Synthesizing Audio with Generative Adversarial Networks. CoRR Chris Donahue, Julian J. McAuley, Miller S. Puckette
2016	—	`conf`	Extended Convolution Techniques for Cross-Synthesis. ICMC Chris Donahue, Tom Erbe, Miller S. Puckette
2016	J	`jnl`	Generative Audio Systems Using Power-Preserving All-Pass Filters. Comput. Music. J. Greg Surges, Tamara Smyth, Miller S. Puckette
2015	—	`conf`	Generative Feedback Networks Using Time-Varying Allpass Filters. ICMC Greg Surges, Tamara Smyth, Miller S. Puckette
2011	—	`conf`	Infuriating Nonlinear Reverberator. ICMC Miller S. Puckette
2010	—	`conf`	Grafting Synthesis Patches Onto Live Musical Instruments. ICMC Miller S. Puckette
2010	—	`conf`	Pure Data Barcamp. ICMC Miller S. Puckette, Hans-Christoph Steiner, Alexandre Torres Porres
2008	—	`conf`	Not being there. ICMC Miller S. Puckette
2008	—	`conf`	Reinventing Audio and Music Computation for Many-Core Processors. ICMC David Wessel, Roger B. Dannenberg, Yann Orlarey, Miller S. Puckette, Peter Van Roy, Ge Wang
2008	—	`conf`	Thoughts on Parallel Computing for Music. ICMC Miller S. Puckette
2007	—	`conf`	On timbre stamps and other frequency-domain filters. ICMC Miller S. Puckette
2006	—	`conf`	Phase-bashed packet synthesis: a musical test. ICMC Miller S. Puckette
2005	—	`conf`	Phase Bashing for sample-Based formant synthesis. ICMC Miller S. Puckette
2004	—	`conf`	Low-dimensional parameter mapping using spectral envelopes. ICMC Miller S. Puckette
2002	J	`jnl`	Max at Seventeen. Comput. Music. J. Miller S. Puckette
2002	—	`conf`	Using Pd as a score language. ICMC Miller S. Puckette
2001	—	`conf`	New Public-Domain Realizations of Standard Pieces for Instruments and Live Electronics. ICMC Miller S. Puckette
2001	—	`conf`	Synthesizing Sounds with Specified, Time-Varying Spectra. ICMC Miller S. Puckette
1999	J	`jnl`	Philippe Manoury: Jupiter By Elizabeth McNutt, flute , Miller Puckette. computer, Mandeville Recital Hall University of California at San Diego, La Jolla, California, USA. 26 January 1999. Comput. Music. J. Elizabeth McNutt, Miller S. Puckette, Andrew May
1998	J	`jnl`	Accuracy of frequency estimates using the phase vocoder. IEEE Trans. Speech Audio Process. Miller S. Puckette, Judith C. Brown
1998	—	`conf`	Real-time audio analysis tools for Pd and MSP. ICMC Miller S. Puckette, Theodore Apel, David Zicarelli
1997	—	`conf`	Pure Data. ICMC Miller S. Puckette
1995	—	`conf`	Department of Music, University of California, San Diego. ICMC Peter Otto, Miller S. Puckette
1995	—	`conf`	Score Following Using the Sung Voice. ICMC Miller S. Puckette
1994	—	`conf`	Is There Life After MIDI? ICMC Miller S. Puckette
1994	—	`conf`	The IRCAM "Real-Time Platform" - Evolutions and Perspectives. ICMC François Déchelle, Maurizio De Cecco, Miller S. Puckette, David Zicarelli
1993	—	`conf`	Nonobvious roles for electronics in performance enhancement. ICMC Miller S. Puckette, Zack Settel
1993	—	`conf`	The IRCAM Signal Processign Workstation and IRCAM Max User Groups: Future Developments and Platforms. ICMC Cort Lippe, Miller S. Puckette, Zack Settel, Vincent Puig
1992	—	`conf`	Score Following in Practice. ICMC Miller S. Puckette, Cort Lippe
1992	A*	`conf`	The Ircam Signal Processing Workstation Prototyping Environment. CHI Maurizio De Cecco, Eric Lindemann, Miller S. Puckette
1991	—	`conf`	Musical Performance Using the IRCAM Workstations. ICMC Cort Lippe, Miller S. Puckette
1991	—	`conf`	The Architecture of the IRCAM Musical Workstation. USENIX Summer Eric Lindemann, Miller S. Puckette, Eric Viara, Maurizio De Cecco, François Déchelle, Bennett Smith
1990	—	`conf`	A Real-time Operating System for Computer Music. ICMC Eric Viara, Miller S. Puckette
1990	—	`conf`	EXPLODE: A User Interface for Sequencing and Score Following. ICMC Miller S. Puckette
1990	J	`jnl`	The IRCAM signal processing workstation - An environment for research in real-time musical signal processing and performance. Microprocessing and Microprogramming Eric Lindemann, Miller S. Puckette, Eric Viara, Michel Starkier
1988	—	`conf`	The Patcher. ICMC Miller S. Puckette
1987	—	`conf`	Musical Information from a Narrowed Autocorrelation Function. ICMC Judith C. Brown, Miller S. Puckette
1986	—	`conf`	Interprocess Communication and Timing in Real-Time Computer Music Performance. ICMC Miller S. Puckette
1986	—	`conf`	Software Developments for the 4X Real-time System. ICMC Emmanuel Favreau, Michel Fingerhut, Olivier Koechlin, Patrick Potacsek, Miller S. Puckette, Robert Rowe
1985	—	`conf`	Synthetic Rehearsal: Training the Synthetic Performer. ICMC Barry Vercoe, Miller S. Puckette
1984	—	`conf`	The M Orchestra Language. ICMC Miller S. Puckette
1981	—	`conf`	A Four-Channel Reverberation Network. ICMC John P. Stautner, Barry Vercoe, Miller S. Puckette
1981	—	`conf`	A Real-time Music 11 Emulator. ICMC Miller S. Puckette, Barry Vercoe, John P. Stautner