Marcelo M. Wanderley

178 papers A 1B 3Misc 1Journal 31Unranked 137

Year	Rank	Type	Title / Venue / Authors
2026	J	`jnl`	Cross-modal synchrony between music and visual motion modulates vection, urge to move, and comfort in VR. Virtual Real. Bavo Van Kerrebroeck, Connor Spiech, Virginia B. Penhune, Marcelo M. Wanderley
2025	—	`conf`	Augmenting IoMusT Devices with Haptic Feedback: Design Tools and Strategies from Expert T-Stick Performers. IS2 Oren Ronen, Marcelo M. Wanderley
2025	J	`jnl`	Behavioral Measures of Copresence in Co-located Mixed Reality. IEEE Trans. Vis. Comput. Graph. Pierrick Uro, Florent Berthaut, Thomas Pietrzak, Marcelo M. Wanderley
2025	—	`conf`	Melody and Motion: Integrating Guitar Gestures with Musical Patterns for Extended Control in Live Performance and Metaverse Applications. IS2 Nishal Silva, Marcelo M. Wanderley, Luca Turchet
2025	A	`conf`	Strategies for the Reconciliation of Artistic Intent and Technical Constraints in Mixed Reality Performances. Conference on Designing Interactive Systems Pierrick Uro, Florent Berthaut, Thomas Pietrzak, Marcelo M. Wanderley, Laurent Grisoni
2025	—	`conf`	Thoughts on Mapping and Interface Design of a Keyboard to Perform Continuous Pitch Ornamentations in Hindustani Music. ICASSP Workshops Ninad Puranik, Travis J. West, Marcelo M. Wanderley, Gary P. Scavone
2025	J	`jnl`	Virtual Partners Improve Synchronization in Human-Machine Trios. Cogn. Sci. Bavo Van Kerrebroeck, Marcelo M. Wanderley, Alexander P. Demos, Caroline Palmer
2024	J	`jnl`	Enhancing DMI Interactions by Integrating Haptic Feedback for Intricate Vibrato Technique. CoRR Ziyue Piao, Christian Frisson, Bavo Van Kerrebroeck, Marcelo M. Wanderley
2024	B	`conf`	Human-machine trios show different tempo changes in musical tasks. CogSci Bavo Van Kerrebroeck, Marcelo M. Wanderley, Alexander P. Demos, Caroline Palmer
2023	—	`conf`	Addressing Barriers for Entry and Operation of a Distributed Signal Mapping Framework. NIME Brady Boettcher, Eduardo A. L. Meneses, Christian Frisson, Marcelo M. Wanderley, Joseph Malloch
2023	J	`jnl`	Analysis of Accessible Digital Musical Instruments through the lens of disability models: a case study with instruments targeting d/Deaf people. Frontiers Comput. Sci. Erivan Gonçalves Duarte, Isabelle Cossette, Marcelo M. Wanderley
2023	—	`conf`	MappEMG: Enhancing Music Pedagogy by Mapping Electromyography to Multimodal Feedback. ArtsIT (2) Ziyue Piao, Marcelo M. Wanderley, Felipe Verdugo
2023	—	`conf`	Prehistoric NIME: Revisiting Research on New Musical Interfaces in the Computer Music Community before NIME. NIME Marcelo M. Wanderley
2023	—	`conf`	T-Patch: a software application for T-Stick Digital Musical Instruments. NIME Takuto Fukuda, Marcelo M. Wanderley
2023	—	`conf`	The Puara Framework: Hiding complexity and modularity for reproducibility and usability in NIMEs. NIME Eduardo A. L. Meneses, Thomas Piquet, Jason Noble, Marcelo M. Wanderley
2023	—	`conf`	Tools and Techniques for the Maintenance and Support of Digital Musical Instruments. NIME Albert-Ngabo Niyonsenga, Marcelo M. Wanderley
2023	—	`conf`	Towards the T-Tree 2.0: Lessons Learned From Performance With a Novel DMI and Instrument Hub. NIME Paul Buser, Kasey Pocius, Linnea Kirby, Marcelo M. Wanderley
2023	—	`conf`	eTud, be: case studies in playing with musical agents. NIME Tommy Davis, Kasey Pocius, Vincent Cusson, Marcelo M. Wanderley, Philippe Pasquier
2022	—	`conf`	Feeling the Effort of Classical Musicians - A Pipeline from Electromyography to Smartphone Vibration for Live Music Performance. NIME Felipe Verdugo, Amedeo Ceglia, Christian Frisson, Alexandre Burton, Mickaël Begon, Sylvie Gibet, Marcelo M. Wanderley
2022	—	`conf`	ForceHost: an open-source toolchain for generating firmware embedding the authoring and rendering of audio and force-feedback haptics. NIME Christian Frisson, Mathias Kirkegaard, Thomas Pietrzak, Marcelo M. Wanderley
2022	J	`jnl`	From Fiction to Function: Imagining New Instruments through Design Workshops. Comput. Music. J. John Sullivan, Marcelo M. Wanderley, Catherine Guastavino
2022	—	`conf`	Introducing the t-Tree: Using Multiple t-Sticks for Performance and Installation. NIME Linnea Kirby, Paul Buser, Marcelo M. Wanderley
2022	—	`conf`	Mapper4Live: Using Control Structures to Embed Complex Mapping Tools into Ableton Live. NIME Brady Boettcher, Joseph Malloch, Johnty Wang, Marcelo M. Wanderley
2022	—	`conf`	Slapbox: Redesign of a Digital Musical Instrument Towards Reliable Long-Term Practice. NIME Brady Boettcher, John Sullivan, Marcelo M. Wanderley
2021	—	`conf`	A Visualization Tool to Explore Interactive Sound Installations. NIME Valérian Fraisse, Catherine Guastavino, Marcelo M. Wanderley
2021	J	`jnl`	A multi-sensor human gait dataset captured through an optical system and inertial measurement units. CoRR Geise Santos, Marcelo M. Wanderley, Tiago Fernandes Tavares, Anderson Rocha
2021	—	`conf`	Comparative Latency Analysis of Optical and Inertial Motion Capture Systems for Gestural Analysis and Musical Performance. NIME Geise Santos, Johnty Wang, Carolina Brum Medeiros, Marcelo M. Wanderley, Tiago Fernandes Tavares, Anderson Rocha
2021	J	`jnl`	Comprehensive Framework for Describing Interactive Sound Installations: Highlighting Trends through a Systematic Review. Multimodal Technol. Interact. Valérian Fraisse, Marcelo M. Wanderley, Catherine Guastavino
2021	—	`conf`	Documentation and Replicability in the NIME Community. NIME Filipe Calegario, João Tragtenberg, Christian Frisson, Eduardo Meneses, Joseph Malloch, Vincent Cusson, Marcelo M. Wanderley
2021	—	`conf`	Embracing Less Common Evaluation Strategies for Studying User Experience in NIME. NIME P. J. Charles Reimer, Marcelo M. Wanderley
2021	—	`conf`	Interaction Strategies in Composition for Karlax and Acoustic Instruments. CMMR Benjamin Lavastre, Marcelo M. Wanderley
2021	—	`conf`	Interpolating Audio and Haptic Control Spaces. NIME Juliette Regimbal, Marcelo M. Wanderley
2021	—	`conf`	Le Bâton: A Digital Musical Instrument Based on the Chaotic Triple Pendulum. NIME Matthew D. Skarha, Vincent Cusson, Christian Frisson, Marcelo M. Wanderley
2021	—	`conf`	Making Mappings: Design Criteria for Live Performance. NIME Travis J. West, Baptiste Caramiaux, Stéphane Huot, Marcelo M. Wanderley
2021	—	`conf`	MapLooper: Live-looping of distributed gesture-to-sound mappings. NIME Christian Frisson, Mathias Bredholt, Joseph Malloch, Marcelo M. Wanderley
2021	—	`conf`	Projeto: Cerrado: Unfolding Spaces. ARTECH Anésio Azevedo Costa Neto, Nivalda Assunção de Araújo, Marcelo M. Wanderley
2021	—	`conf`	The IDMIL Digital Audio Workbench: An interactive online application for teaching digital audio concepts. Audio Mostly Conference Marcelo M. Wanderley, Travis J. West, Josh Rohs, Eduardo Meneses, Christian Frisson
2021	—	`conf`	The Ragpicking DMI Design: The Case for Green Computer Music. ARTECH Leandro Costalonga, Daniel Hora, Marcelo Soares Pimenta, Marcelo M. Wanderley
2021	—	`conf`	The T-Stick Music Creation Project: An approach to building a creative community around a DMI. NIME Takuto Fukuda, Eduardo Meneses, Travis J. West, Marcelo M. Wanderley
2021	J	`jnl`	Touching the audience: musical haptic wearables for augmented and participatory live music performances. Pers. Ubiquitous Comput. Luca Turchet, Travis J. West, Marcelo M. Wanderley
2020	—	`conf`	A NIME Of The Times: Developing an Outward-Looking Political Agenda For This Community. NIME Fabio Morreale, S. M. Astrid Bin, Andrew P. McPherson, Paul Stapleton, Marcelo M. Wanderley
2020	—	`conf`	A Visualization Tool for the CIRMMT Distinguished Lecture Series. HCI (4) Marcelo M. Wanderley, Mathias Bredholt, Christian Frisson
2020	—	`conf`	An Intermediate Mapping Layer for Interactive Sequencing. HCI (5) Mathias Kirkegaard, Mathias Bredholt, Marcelo M. Wanderley
2020	J	`jnl`	Defining a vibrotactile toolkit for digital musical instruments: characterizing voice coil actuators, effects of loading, and equalization of the frequency response. J. Multimodal User Interfaces Aditya Tirumala Bukkapatnam, Philippe Depalle, Marcelo M. Wanderley
2020	J	`jnl`	Evaluation of Inertial Sensor Data by a Comparison with Optical Motion Capture Data of Guitar Strumming Gestures. Sensors Sérgio Freire, Geise Santos, Augusto Armondes, Eduardo A. L. Meneses, Marcelo M. Wanderley
2020	—	`conf`	Expanding and Embedding a High-Level Gesture Vocabulary for Digital and Augmented Musical Instruments. HCI (5) Eduardo A. L. Meneses, Takuto Fukuda, Marcelo M. Wanderley
2020	J	`jnl`	Haptic and audio interaction design. J. Multimodal User Interfaces Thomas Pietrzak, Marcelo M. Wanderley
2020	J	`jnl`	Input Devices for Musical Expression: Borrowing Tools from HCI. CoRR Nicola Orio, Norbert Schnell, Marcelo M. Wanderley
2020	—	`conf`	Making Mappings: Examining the Design Process. NIME Travis J. West, Marcelo M. Wanderley, Baptiste Caramiaux
2020	—	`conf`	Open Source DMIs: Towards a Replication Certification for Online Shared Projects of Digital Musical Instruments. HCI (41) Filipe Calegario, João Tragtenberg, Johnty Wang, Ivan Franco, Eduardo Meneses, Marcelo M. Wanderley
2020	—	`conf`	Probatio 1.0: collaborative development of a toolkit for functional DMI prototypes. NIME Filipe Calegario, Marcelo M. Wanderley, João Tragtenberg, Eduardo Meneses, Johnty Wang, John Sullivan, Ivan Franco, Mathias Kirkegaard, Mathias Bredholt, Josh Rohs
2020	—	`conf`	Reinventing the Noisebox: Designing Embedded Instruments for Active Musicians. NIME John Sullivan, Julian Vanasse, Catherine Guastavino, Marcelo M. Wanderley
2020	—	`conf`	The Scalability of WiFi for Mobile Embedded Sensor Interfaces. NIME Johnty Wang, Eduardo Meneses, Marcelo M. Wanderley
2020	—	`conf`	TorqueTuner: A self contained module for designing rotary haptic force feedback for digital musical instruments. NIME Mathias Kirkegaard, Mathias Bredholt, Christian Frisson, Marcelo M. Wanderley
2019	—	`conf`	A Comparison of Open-Source Linux Frameworks for an Augmented Musical Instrument Implementation. NIME Eduardo Meneses, Johnty Wang, Sérgio Freire, Marcelo M. Wanderley
2019	—	`ch.`	A Design Workbench for Interactive Music Systems. New Directions in Music and Human-Computer Interaction Joseph Malloch, Jérémie Garcia, Marcelo M. Wanderley, Wendy E. Mackay, Michel Beaudouin-Lafon, Stéphane Huot
2019	—	`ch.`	HCI, Music and Art: An Interview with Wendy Mackay. New Directions in Music and Human-Computer Interaction Marcelo M. Wanderley, Wendy E. Mackay
2019	—	`book`	New Directions in Music and Human-Computer Interaction Simon Holland, Tom Mudd, Katie Wilkie-McKenna, Andrew P. McPherson, Marcelo M. Wanderley
2019	—	`conf`	Practical Considerations for MIDI over Bluetooth Low Energy as a Wireless Interface. NIME Johnty Wang, Axel Mulder, Marcelo M. Wanderley
2019	—	`conf`	Rebuilding and Reinterpreting a Digital Musical Instrument - The Sponge. NIME Ajin Jiji Tom, Harish Jayanth Venkatesan, Ivan Franco, Marcelo M. Wanderley
2019	—	`conf`	Small Dynamic Neural Networks for Gesture Classification with The Rulers (a Digital Musical Instrument). NIME Vanessa Yaremchuk, Carolina Brum Medeiros, Marcelo M. Wanderley
2019	—	`conf`	Smart Mandolin and Musical Haptic Gilet: effects of vibro-tactile stimuli during live music performance. Audio Mostly Conference Luca Turchet, Travis J. West, Marcelo M. Wanderley
2019	J	`jnl`	Staying Together: A Bidirectional Delay-Coupled Approach to Joint Action. Cogn. Sci. Alexander P. Demos, Hamed Layeghi, Marcelo M. Wanderley, Caroline Palmer
2019	—	`conf`	The Design of the Body: Suit: Score, a Full-Body Vibrotactile Musical Score. HCI (5) Travis J. West, Alexandra Bachmayer, Sandeep Bhagwati, Joanna Berzowska, Marcelo M. Wanderley
2019	—	`ch.`	Understanding Music Interaction, and Why It Matters. New Directions in Music and Human-Computer Interaction Simon Holland, Tom Mudd, Katie Wilkie-McKenna, Andrew P. McPherson, Marcelo M. Wanderley
2018	J	`jnl`	Generalized Multi-Instance Control Mapping for Interactive Media Systems. IEEE Multim. Joseph Malloch, Stephen Sinclair, Marcelo M. Wanderley
2018	—	`conf`	Gestural Control of Augmented Instrumental Performance: A Case Study of the Concert Harp. MOCO John Sullivan, Alexandra Tibbitts, Brice Gatinet, Marcelo M. Wanderley
2018	—	`conf`	GuitarAMI and GuiaRT: two independent yet complementary projects on augmented nylon guitars. NIME Eduardo Meneses, Sérgio Freire, Marcelo M. Wanderley
2018	—	`conf`	Haptic display of melodic intervals for musical applications. HAPTICS Deborah C. Egloff, Marcelo M. Wanderley, Ilja Frissen
2018	—	`conf`	Kinetic Analysis of Hip Motion During Piano Playing. MOCO Catherine Massie-Laberge, Marcelo M. Wanderley, Isabelle Cossette
2018	—	`conf`	NIME Identity from the Performer's Perspective. NIME Fabio Morreale, Andrew P. McPherson, Marcelo M. Wanderley
2018	—	`conf`	The Digital Orchestra Toolbox for Max. NIME Joseph Malloch, Marlon Schumacher, Stephen Sinclair, Marcelo M. Wanderley
2018	—	`conf`	The T-Stick: Maintaining a 12 year-old Digital Musical Instrument. NIME Alex Nieva, Johnty Wang, Joseph Malloch, Marcelo M. Wanderley
2018	B	`conf`	ZenStates: Easy-to-Understand Yet Expressive Specifications for Creative Interactive Environments. VL/HCC Jerônimo Barbosa, Marcelo M. Wanderley, Stéphane Huot
2017	J	`jnl`	A Method and Toolkit for Digital Musical Instruments: Generating Ideas and Prototypes. IEEE Multim. Filipe Calegario, Marcelo M. Wanderley, Stéphane Huot, Giordano Cabral, Geber L. Ramalho
2017	—	`conf`	Design of hardware systems for professional artistic applications. NIME Ian Hattwick, Marcelo M. Wanderley
2017	J	`jnl`	Enriched Multimodal Representations of Music Performances: Online Access and Visualization. IEEE Multim. Esteban Maestre, Panagiotis Papiotis, Marco Marchini, Quim Llimona, Oscar Mayor, Alfonso Pérez, Marcelo M. Wanderley
2017	—	`conf`	Exploring playfulness in nime design: the case of live looping tools. NIME Jerônimo Barbosa, Marcelo M. Wanderley, Stéphane Huot
2017	—	`conf`	Individuality in Piano Performance Depends on Skill Learning. MOCO Baptiste Caramiaux, Frédéric Bevilacqua, Caroline Palmer, Marcelo M. Wanderley
2017	—	`conf`	The Vibropixels: A Scalable Wireless Tactile Display System. HCI (3) Ian Hattwick, Ivan Franco, Marcelo M. Wanderley
2016	—	`conf`	Music and HCI. CHI Extended Abstracts Simon Holland, Andrew P. McPherson, Wendy E. Mackay, Marcelo M. Wanderley, Michael D. Gurevich, Tom W. Mudd, Sile O'Modhrain, Katie L. Wilkie, Joseph Malloch, Jérémie Garcia, Andrew Johnston
2016	—	`conf`	Prynth: A Framework for Self-contained Digital Music Instruments. CMMR Ivan Franco, Marcelo M. Wanderley
2016	—	`conf`	Quantitative Evaluation of Percussive Gestures by Ranking Trainees versus Teacher. MOCO Lei Chen, Sylvie Gibet, Pierre-François Marteau, Fabrice Marandola, Marcelo M. Wanderley
2015	—	`conf`	Composition Techniques for the Ilinx Vibrotactile Garment. ICMC Ian Hattwick, Ivan Franco, Marcello Giordano, Deborah Egloff, Marcelo M. Wanderley, Valérie Lamontagne, Ian A. Arawjo, Christopher L. Salter, Maurizio Martinucci
2015	—	`conf`	Designing dmis for popular music in the brazilian northeast: lessons learned. NIME Jerônimo Barbosa, Filipe Calegario, João Tragtenberg, Giordano Cabral, Geber L. Ramalho, Marcelo M. Wanderley
2015	J	`jnl`	Distributed tools for interactive design of heterogeneous signal networks. Multim. Tools Appl. Joseph Malloch, Stephen Sinclair, Marcelo M. Wanderley
2015	—	`conf`	Estimation of Guitar Fingering and Plucking Controls Based on Multimodal Analysis of Motion, Audio and Musical Score. CMMR Alfonso Pérez Carrillo, Josep Lluís Arcos, Marcelo M. Wanderley
2015	—	`conf`	Feature Extraction and Expertise Analysis of Pianists' Motion-Captured Finger Gestures. ICMC Mickaël Tits, Joëlle Tilmanne, Nicolas D'Alessandro, Marcelo M. Wanderley
2015	J	`jnl`	Indirect Acquisition of Violin Instrumental Controls from Audio Signal with Hidden Markov Models. IEEE ACM Trans. Audio Speech Lang. Process. Alfonso Pérez Carrillo, Marcelo M. Wanderley
2015	—	`conf`	Interactive lighting in the pearl: considerations and implementation. NIME Ian Hattwick, Marcelo M. Wanderley
2015	—	`conf`	Pratical evaluation of synthesis performance on the beaglebone black. NIME Ivan Franco, Marcelo M. Wanderley
2015	—	`conf`	What does 'evaluation' mean for the nime community? NIME Jerônimo Barbosa, Joseph Malloch, Marcelo M. Wanderley, Stéphane Huot
2014	J	`jnl`	A Comprehensive Review of Sensors and Instrumentation Methods in Devices for Musical Expression. Sensors Carolina Brum Medeiros, Marcelo M. Wanderley
2014	—	`conf`	A High-Level Review of Mappings in Musical iOS Applications. ICMC Thor Kell, Marcelo M. Wanderley
2014	J	`jnl`	Automatic detection of musicians' ancillary gestures based on video analysis. Expert Syst. Appl. Rodrigo A. Seger, Marcelo M. Wanderley, Alessandro L. Koerich
2014	—	`conf`	Brahms, Bodies and Backpropagation: Artificial Neural Networks for Movement Classification in Musical Performance. MOCO Vanessa Yaremchuk, Marcelo M. Wanderley
2014	—	`conf`	Composing for DMIs Entoa, a Dedicate Piece for Intonaspacio. NIME Clayton Mamedes, Mailis G. Rodrigues, Marcelo M. Wanderley, Jônatas Manzolli, Denise H. L. Garcia, Paulo Ferreira-Lopes
2014	J	`jnl`	Editors' Notes. Comput. Music. J. Marcelo M. Wanderley, Joseph Malloch
2014	—	`conf`	Forming Shapes to Bodies: Design for Manufacturing in the Prosthetic Instruments. NIME Ian Hattwick, Joseph Malloch, Marcelo M. Wanderley
2014	—	`conf`	Handedness in Percussion Sight-Reading. MOCO Benjamin Bacon, Marcelo M. Wanderley, Fabrice Marandola
2014	J	`jnl`	In-House Development of Paper Force Sensors for Musical Applications. Comput. Music. J. Rodolphe Koehly, Marcelo M. Wanderley, Theodorus van de Ven, Denis Curtil
2014	J	`jnl`	Mapping Control Structures for Sound Synthesis: Functional and Topological Perspectives. Comput. Music. J. Doug Van Nort, Marcelo M. Wanderley, Philippe Depalle
2014	—	`conf`	Perceptual Characterization of a Tactile Display for a Live-Electronics Notification System. ICMC Emma Frid, Marcello Giordano, Marlon Schumacher, Marcelo M. Wanderley
2014	—	`conf`	Unsounding Objects: Audio Feature Extraction for the Control of Sound Synthesis. NIME Ian Hattwick, Preston Beebe, Zachary Hale, Marcelo M. Wanderley, Philippe Leroux, Fabrice Marandola
2014	J	`jnl`	Velocity Estimation Algorithms for Audio-Haptic Simulations Involving Stick-Slip. IEEE Trans. Haptics Stephen Sinclair, Marcelo M. Wanderley, Vincent Hayward
2013	—	`conf`	Alternatives in Network transport Protocols for audio Streaming Applications. ICMC Flávio Luiz Schiavoni, Marcelo Queiroz, Marcelo M. Wanderley
2013	—	`conf`	Intonaspacio: A Digital Musical Instrument for Exploring Site-Specificities in Sound. CMMR Mailis G. Rodrigues, Marcelo M. Wanderley, Paulo Ferreira-Lopes
2013	—	`conf`	Libmapper: (a library for connecting things). CHI Extended Abstracts Joseph Malloch, Stephen Sinclair, Marcelo M. Wanderley
2013	—	`conf`	Perceptual and Technological Issues in the Design of Vibrotactile-Augmented Interfaces for Music Technology and Media. HAID Marcello Giordano, Marcelo M. Wanderley
2013	J	`jnl`	Trumpet Augmentation and Technological Symbiosis. Comput. Music. J. Joseph Thibodeau, Marcelo M. Wanderley
2013	—	`conf`	Vibrotactile Feedback for an Open Air Music Controller. CMMR Håkon Knutzen, Tellef Kvifte, Marcelo M. Wanderley
2012	—	`conf`	A Dimension Space for Evaluating Collaborative Musical Performance Systems. NIME Ian Hattwick, Marcelo M. Wanderley
2012	—	`conf`	A Quantitative Comparison of Position Trackers for the Development of a Touch-less Musical Interface. NIME Gabriel Vigliensoni, Marcelo M. Wanderley
2012	—	`conf`	Bowing a vibration-enhanced force feedback device. NIME Marcello Giordano, Stephen Sinclair, Marcelo M. Wanderley
2012	—	`conf`	Exploring audio and tactile qualities of instrumentality with bowed string simulations. NIME Olivier Tache, Stephen Sinclair, Jean-Loup Florens, Marcelo M. Wanderley
2012	J	`jnl`	Hybrid inverse motion control for virtual characters interacting with sound synthesis - Application to percussion motion. Vis. Comput. Alexandre Bouënard, Sylvie Gibet, Marcelo M. Wanderley
2012	—	`conf`	Learning and extraction of violin instrumental controls from audio signal. MIRUM Alfonso Pérez Carrillo, Marcelo M. Wanderley
2012	—	`conf`	Optoelectronic Acquisition and Control Board for Musical Applications. NIME Avrum Hollinger, Marcelo M. Wanderley
2011	—	`conf`	Examining the Effects of Embedded Vibrotactile Feedback on the Feel of a Digital Musical Instrument. NIME Mark T. Marshall, Marcelo M. Wanderley
2011	—	`conf`	Noise-free haptic interaction with a bowed-string acoustic model. World Haptics Stephen Sinclair, Marcelo M. Wanderley, Vincent Hayward, Gary P. Scavone
2011	J	`jnl`	Virtual Gesture Control and Synthesis of Music Performances: Qualitative Evaluation of Synthesized Timpani Exercises. Comput. Music. J. Alexandre Bouënard, Marcelo M. Wanderley, Sylvie Gibet, Fabrice Marandola
2010	—	`conf`	An Embedded Hardware Platform For Fungible Interfaces. ICMC Avrum Hollinger, Joseph Thibodeau, Marcelo M. Wanderley
2010	—	`conf`	Soundcatcher: Explorations In Audio-Looping And Time-Freezing Using An Open-Air Gestural Controller. ICMC Gabriel Vigliensoni, Marcelo M. Wanderley
2009	J	`jnl`	A run-time programmable simulator to enable multi-modal interaction with rigid-body systems. Interact. Comput. Stephen Sinclair, Marcelo M. Wanderley
2009	—	`conf`	Advantages and Limitations of Simulating Percussion Gestures for Sound Synthesis. ICMC Alexandre Bouënard, Marcelo M. Wanderley, Sylvie Gibet
2009	—	`conf`	Audio-Haptic Interaction with the Digital Waveguide Bowed String. ICMC Stephen Sinclair, Gary P. Scavone, Marcelo M. Wanderley
2009	—	`conf`	From Real to Virtual: A Comparison of Input Devices for Percussion Tasks. NIME Mike Collicutt, Carmine Casciato, Marcelo M. Wanderley
2009	—	`ed.`	Gesture-Based Human-Computer Interaction and Simulation, 7th International Gesture Workshop, GW 2007, Lisbon, Portugal, May 23-25, 2007, Revised Selected Papers Gesture Workshop Miguel Sales Dias, Sylvie Gibet, Marcelo M. Wanderley, Rafael Bastos
2009	—	`conf`	Haptic Feedback for Different Strokes Using DIMPLE. ICMC Mark Zadel, Stephen Sinclair, Marcelo M. Wanderley
2009	—	`conf`	Methods for Effective Sonification of Clarinetists' Ancillary Gestures. Gesture Workshop Florian Grond, Thomas Hermann, Vincent Verfaille, Marcelo M. Wanderley
2009	—	`conf`	Real-Time Phase Vocoder Manipulation by Runner's Pace. NIME Jason Hockman, Marcelo M. Wanderley, Ichiro Fujinaga
2009	—	`conf`	Sharing Data in Collaborative, Interactive Performances: the SenseWorld DataNetwork. NIME Marije A. J. Baalman, Harry Smoak, Christopher L. Salter, Joseph Malloch, Marcelo M. Wanderley
2009	—	`conf`	The CIRMMT/McGill Digital Orchestra Project. ICMC Xenia Pestova, Erika Donald, Heather Hindman, Joseph Malloch, Mark T. Marshall, Fernando Rocha, Stephen Sinclair, D. Andrew Stewart, Marcelo M. Wanderley, Sean Ferguson
2008	—	`conf`	Enhancing the Visualization of Percussion Gestures by Virtual Character Animation. NIME Alexandre Bouënard, Sylvie Gibet, Marcelo M. Wanderley
2007	—	`conf`	A Network-Based Framework for Collaborative Development and Performance of Digital Musical Instruments. CMMR Joseph Malloch, Stephen Sinclair, Marcelo M. Wanderley
2007	—	`conf`	A Systematic Approach to Musical vibrotactile feedback. ICMC David Birnbaum, Marcelo M. Wanderley
2007	—	`conf`	Control Strategies for Navigation of Complex Sonic Spaces Transformation of Resonant Models. NIME Doug Van Nort, Marcelo M. Wanderley
2007	—	`conf`	Defining a Control Standard for Easily Integrating Haptic Virtual Environments with Existing Audio / Visual Systems. NIME Stephen Sinclair, Marcelo M. Wanderley
2007	—	`conf`	Extraction of gestural Meaning from a Fabric-Based Instrument. ICMC Doug Van Nort, David Gauthier, Sha Xin Wei, Marcelo M. Wanderley
2007	—	`conf`	From controller to sound: Tools for Collaborative Development of Digital Musical Instruments. ICMC Joseph Malloch, Stephen Sinclair, Marcelo M. Wanderley
2007	—	`conf`	Gesture Control of Sound Spatialization for Live Musical Performance. Gesture Workshop Mark T. Marshall, Joseph Malloch, Marcelo M. Wanderley
2007	—	`conf`	Improving the Believability of Virtual Characters Using Qualitative Gesture Analysis. Gesture Workshop Barbara Mazzarino, Manuel Peinado, Ronan Boulic, Gualtiero Volpe, Marcelo M. Wanderley
2007	—	`conf`	Indirect Acquisition of Fingerings of harmonic Notes on the Flute. ICMC Corey Kereliuk, Bertrand Scherrer, Vincent Verfaille, Philippe Depalle, Marcelo M. Wanderley
2007	—	`conf`	String Bowing Gestures at Varying Bow Stroke Frequencies: A Case Study. Gesture Workshop Nicolas H. Rasamimanana, Delphine Bernardin, Marcelo M. Wanderley, Frédéric Bevilacqua
2007	—	`conf`	The T-Stick: From Musical Interface to Musical Instrument. NIME Joseph Malloch, Marcelo M. Wanderley
2007	—	`conf`	fMRI-Compatible Electronic Controllers. NIME Avrum Hollinger, Christopher John Steele, Virginia B. Penhune, Robert J. Zatorre, Marcelo M. Wanderley
2006	—	`conf`	On the Development of a System for Gesture Control of Spatialization. ICMC Mark T. Marshall, Nils Peters, Alexander Refsum Jensenius, Julien Boissinot, Marcelo M. Wanderley, Jonas Braasch
2006	—	`conf`	Paper FSRs and Latex/Fabric Traction Sensors: Methods for the Development of Home-Made Touch Sensors. NIME Rodolphe Koehly, Marcelo M. Wanderley, Denis Curtil
2006	—	`conf`	SensorWiki.org: A Collaborative Resource for Researchers and Interface Designers. NIME Marcelo M. Wanderley, David Birnbaum, Joseph Malloch, Elliot Sinyor, Julien Boissinot
2006	—	`conf`	Ssynth: a Real Time Additive Synthesizer With Flexible Control. ICMC Vincent Verfaille, Julien Boissinot, Philippe Depalle, Marcelo M. Wanderley
2006	—	`conf`	The LoM Mapping Toolbox for Max/MSP/Jitter. ICMC Doug Van Nort, Marcelo M. Wanderley
2006	—	`conf`	Vibrotactile Feedback in Digital Musical Instruments. NIME Mark T. Marshall, Marcelo M. Wanderley
2006	—	`conf`	Visual Methods for the Retrieval of Guitarist Fingering. NIME Anne-Marie Burns, Marcelo M. Wanderley
2005	—	`conf`	Building Low-Cost Music Controllers. CMMR Alexander Refsum Jensenius, Rodolphe Koehly, Marcelo M. Wanderley
2005	—	`conf`	Developing Tools for Studying Musical gestures within the Max/MSP/jitter Environment. ICMC Alexander Refsum Jensenius, Rolf Inge Godøy, Marcelo M. Wanderley
2005	—	`conf`	Evaluation of Sensors as Input Devices for Computer Music Interfaces. CMMR Mark T. Marshall, Marcelo M. Wanderley
2005	—	`conf`	Gyrotyre. A Hand-held Dynamic Computer-Music Controller Based on a Spinning Wheel. NIME Elliot Sinyor, Marcelo M. Wanderley
2005	Misc	`conf`	Implementation of the Discrete Hidden Markov Model in Max/MSP Environment. FLAIRS Paul Kolesnik, Marcelo M. Wanderley
2005	—	`conf`	On the Use of Flute Air Jet as A Musical Control Variable. NIME Andrey R. da Silva, Marcelo M. Wanderley, Gary P. Scavone
2005	—	`conf`	Towards a Dimension Space for Musical Artifacts. NIME David Birnbaum, Rebecca Fiebrink, Joseph Malloch, Marcelo M. Wanderley
2004	J	`jnl`	Gestural control of sound synthesis. Proc. IEEE Marcelo M. Wanderley, Philippe Depalle
2004	—	`conf`	On the Choice of Mappings Based On Geometric Properties. NIME Doug Van Nort, Marcelo M. Wanderley, Philippe Depalle
2004	—	`conf`	Recognition, Analysis and Performance with Expressive Conducting Gestures. ICMC Paul Kolesnik, Marcelo M. Wanderley
2004	—	`conf`	The Music Technology Program at McGill University. ICMC Gary P. Scavone, Marcelo M. Wanderley
2003	—	`conf`	Indirect Acquisition of Instrumental Gesture Based on Signal, Physical and Perceptual Information. NIME Caroline Traube, Philippe Depalle, Marcelo M. Wanderley
2003	—	`conf`	Performance Gestures of Musicians: What Structural and Emotional Information Do They Convey? Gesture Workshop Bradley W. Vines, Marcelo M. Wanderley, Carol Krumhansl, Regina L. Nuzzo, Daniel J. Levitin
2002	J	`jnl`	Evaluation of Input Devices for Musical Expression: Borrowing Tools from HCI. Comput. Music. J. Marcelo M. Wanderley, Nicola Orio
2002	—	`conf`	The Importance of Parameter Mapping in Electronic Instrument Design. NIME Andy Hunt, Marcelo M. Wanderley, Matthew Paradis
2001	—	`conf`	Gestural Control at IRCAM. ICMC Marcelo M. Wanderley, Marie-Hélène Serra, Marc Battier, Xavier Rodet
2001	—	`conf`	Input Devices for Musical Expression: Borrowing Tools from HCI. NIME Nicola Orio, Norbert Schnell, Marcelo M. Wanderley
2001	—	`conf`	Quantitative Analysis of Non-obvious Performer Gestures. Gesture Workshop Marcelo M. Wanderley
2001	—	`conf`	The jMax Digitizing Tablet. NIME Marcelo M. Wanderley
2000	—	`conf`	On the Choice of Transducer Technologies for Specific Musical Functions. ICMC Marcelo M. Wanderley, Jean-Philippe Viollet, Fabrice Isart, Xavier Rodet
2000	—	`conf`	Towards a Model for Instrumental Mapping in Expert Musical Interaction. ICMC Andy Hunt, Marcelo M. Wanderley, Ross Kirk
1999	—	`conf`	Gestural Control of a Real-Time Physical Model of a Bowed String Instrument. ICMC Stefania Serafin, Richard Dudas, Marcelo M. Wanderley, Xavier Rodet
1999	—	`conf`	Improving Instrumental Sound Synthesis by Modeling the Effects of Performer Gesture. ICMC Marcelo M. Wanderley, Philippe Depalle, Olivier Warusfel
1999	—	`conf`	Non-obvious Performer Gestures in Instrumental Music. Gesture Workshop Marcelo M. Wanderley
1998	B	`conf`	ESCHER-modeling and performing composed instruments in real-time. SMC Marcelo M. Wanderley, Norbert Schnell, Joseph Butch Rovan