Jean-Baptiste Barrière

14 papers Unranked 14
YearRankTypeTitle / Venue / Authors
1993 — conf
Integration of Aid to Composition and Performance Environments: Experiences of Interactions between Patchwork and Max-ISPW.
ICMC
Jean-Baptiste Barrière, Xavier Chabot
1993 — conf
On the Realization of NoaNoa and Près, Two Pieces for Solo Instruments and Ircam Signal Processing Workstation.
ICMC
Xavier Chabot, Kaija Saariaho, Jean-Baptiste Barrière
1993 — conf
Panel Discussion: Algorithmic Music.
ICMC
David Cope, Larry Austin, Jean-Baptiste Barrière, Martin Herman, D. Gareth Loy, Otto E. Laske, Atau Tanaka
1991 — conf
A New Chant Synthesizer in C and Its Control Environment in PATCHWORK.
ICMC
Jean-Baptiste Barrière, Francisco Iovino, Mikael Laurson
1990 — conf
IRCAM: Studio Report.
ICMC
Jean-François Allouis, Jean-Baptiste Barrière, Marc Battier
1989 — conf
A Digital Signal Multiprocessor and its Musical Application.
ICMC
Jean-Baptiste Barrière, Pierre-François Baisnée, Adrian Freed, Marie-Dominique Baudot
1988 — conf
ESQUISSE: A Compositional Environment.
ICMC
Pierre-François Baisnée, Jean-Baptiste Barrière, Marc-André Dalbavie, Jacques Duthen, Magnus Lindberg, Yves Potard, Kaija Saariaho
1987 — conf
Musical Production at IRCAM in 1986-87.
ICMC
Jean-Baptiste Barrière
1986 — conf
Experimenting with Models of Resonance Produced by a New Technique for the Analysis of Impulsive Sounds.
ICMC
Yves Potard, Pierre-François Baisnée, Jean-Baptiste Barrière
1986 — conf
Real-time Interaction between Musicians and Computer: Live Performance Utilisations of the 4X Musical Workstation.
ICMC
Pierre-François Baisnée, Jean-Baptiste Barrière, Olivier Koechlin, Robert Rowe
1985 — conf
"Les Chants de l'Amour", a Piece for Computer Generated Tape and Mixed Choir.
ICMC
G. Grisey, Jean-Baptiste Barrière, Pierre-François Baisnée
1985 — conf
Models of Continuity between Synthesis and Processing for the Elaboration and Control of Timbre Structures.
ICMC
Jean-Baptiste Barrière, Yves Potard, Pierre-François Baisnée
1982 — conf
The CHANT Project: Modelization and Production, an Environment for Composers Including the FORMES Language for Describing and Controlling Sound and Musical Processes.
ICMC
Xavier Rodet, Jean-Baptiste Barrière, Pierre Cointe, Yves Potard
1981 — conf
Musical Synthesis: Evolution of the 'Chant' Project.
ICMC
Jean-Baptiste Barrière, Jean Holleville, Yves Potard, Xavier Rodet