Gérard Assayag

57 papers A* 1B 1Journal 20Unranked 33

Year	Rank	Type	Title / Venue / Authors
2024	J	`jnl`	Multi-Track MusicLDM: Towards Versatile Music Generation with Latent Diffusion Model. CoRR Tornike Karchkhadze, Mohammad Rasool Izadi, Ke Chen, Gérard Assayag, Shlomo Dubnov
2022	J	`jnl`	Cocreative Interaction: Somax2 and the REACH Project. Comput. Music. J. Gérard Assayag, Laurent Bonnasse-Gahot, Joakim Borg
2022	—	`conf`	Creative Improvised Interaction with Generative Musical Systems. MIPR Shlomo Dubnov, Gérard Assayag, Vignesh Gokul
2020	J	`jnl`	Cross-modal variational inference for bijective signal-symbol translation. CoRR Axel Chemla-Romeu-Santos, Stavros Ntalampiras, Philippe Esling, Goffredo Haus, Gérard Assayag
2020	J	`jnl`	Learning of Hierarchical Temporal Structures for Guided Improvisation. Comput. Music. J. Ken Déguernel, Emmanuel Vincent, Jérôme Nika, Gérard Assayag, Kamel Smaïli
2018	J	`jnl`	Probabilistic Factor Oracles for Multidimensional Machine Improvisation. Comput. Music. J. Ken Déguernel, Emmanuel Vincent, Gérard Assayag
2017	—	`conf`	DYC12 agents: merging the "free", "reactive", and "scenario-based" music generation paradigms. ICMC Jérôme Nika, Ken Déguernel, Axel Chemla-Romeu-Santos, Emmanuel Vincent, Gérard Assayag
2016	J	`jnl`	ImproteK: Introducing Scenarios into Human-Computer Music Improvisation. Comput. Entertain. Jérôme Nika, Marc Chemillier, Gérard Assayag
2015	J	`jnl`	Emergence of synchrony in an Adaptive Interaction Model. CoRR Kevin Sanlaville, Gérard Assayag, Frédéric Bevilacqua, Catherine Pelachaud
2015	J	`jnl`	Gelisp: A Library to Represent Musical CSPs and Search Strategies. CoRR Mauricio Toro, Camilo Rueda, Carlos Agón, Gérard Assayag
2015	J	`jnl`	NTCCRT: A concurrent constraint framework for real-time interaction (extended version). CoRR Mauricio Toro, Camilo Rueda, Carlos Agón, Gérard Assayag
2014	—	`conf`	Creative Symbolic Interaction. ICMC Gérard Assayag
2014	J	`jnl`	Introduction. Tech. Sci. Informatiques Gérard Assayag
2013	J	`jnl`	Towards a Hybrid Temporal Paradigm for Musical Composition and Performance: The Case of Musical Interpretation. Comput. Music. J. Myriam Desainte-Catherine, Antoine Allombert, Gérard Assayag
2012	—	`conf`	Music Design with Audio Oracle Using Information Rate. MUME@AIIDE Shlomo Dubnov, Gérard Assayag
2012	—	`conf`	OMaxist Dialectics: Capturing, Visualizing and Expanding Improvisations. NIME Benjamin R. Levy, Georges Bloch, Gérard Assayag
2011	—	`conf`	Audio Oracle Analysis of Musical Information Rate. ICSC Shlomo Dubnov, Gérard Assayag, Arshia Cont
2011	—	`ed.`	Mathematics and Computation in Music - Third International Conference, MCM 2011, Paris, France, June 15-17, 2011. Proceedings MCM Carlos Agón, Moreno Andreatta, Gérard Assayag, Emmanuel Amiot, Jean Bresson, John Mandereau
2011	J	`jnl`	On the Information Geometry of Audio Streams With Applications to Similarity Computing. IEEE Trans. Speech Audio Process. Arshia Cont, Shlomo Dubnov, Gérard Assayag
2011	A*	`conf`	OpenMusic: visual programming environment for music composition, analysis and research. ACM Multimedia Jean Bresson, Carlos Agón, Gérard Assayag
2011	J	`jnl`	Sample Orchestrator : gestion par le contenu d'échantillons sonores. Traitement du Signal Hugues Vinet, Gérard Assayag, Juan José Burred, Grégoire Carpentier, Nicolas Misdariis, Geoffroy Peeters, Axel Roebel, Norbert Schnell, Diemo Schwarz, Damien Tardieu
2010	—	`ch.`	Interaction with Machine Improvisation. The Structure of Style Gérard Assayag, Georges Bloch, Arshia Cont, Shlomo Dubnov
2010	J	`jnl`	Solving the musical orchestration problem using multiobjective constrained optimization with a genetic local search approach. J. Heuristics Grégoire Carpentier, Gérard Assayag, Emmanuel Saint-James
2009	B	`conf`	An Overview of FORCES: An INRIA Project on Declarative Formalisms for Emergent Systems. ICLP Jesús Aranda, Gérard Assayag, Carlos Olarte, Jorge A. Pérez, Camilo Rueda, Mauricio Toro, Frank D. Valencia
2009	—	`conf`	Ntccrt: A Concurrent Constraint Framework for Real-Time Interaction. ICMC Mauricio Toro-Bermúdez, Camilo Rueda, Carlos Agón, Gérard Assayag
2009	J	`jnl`	Visual Lisp/CLOS programming in OpenMusic. High. Order Symb. Comput. Jean Bresson, Carlos Agón, Gérard Assayag
2008	—	`conf`	Iscore: a system for writing interaction. DIMEA Antoine Allombert, Myriam Desainte-Catherine, Gérard Assayag
2008	—	`conf`	OpenMusic: Design and Implementation Aspects of a Visual Programming Language. ELS Carlos Agón, Jean Bresson, Gérard Assayag
2007	—	`conf`	An Evolutionary Approach to Computer-Aided Orchestration. EvoWorkshops Grégoire Carpentier, Damien Tardieu, Gérard Assayag, Xavier Rodet, Emmanuel Saint-James
2007	—	`conf`	Audio Oracle: a New Algorithm for Fast Learning of audio Structures. ICMC Shlomo Dubnov, Gérard Assayag, Arshia Cont
2007	—	`conf`	Guidage: a Fast audio Query Guided assemblage. ICMC Arshia Cont, Shlomo Dubnov, Gérard Assayag
2007	—	`conf`	Navigating the Oracle: a Heuristic Approach. ICMC Gérard Assayag, Georges Bloch
2006	—	`conf`	Anticipatory Model of Musical Style Imitation Using Collaborative and Competitive Reinforcement Learning. SAB ABiALS Arshia Cont, Shlomo Dubnov, Gérard Assayag
2004	J	`jnl`	Preface. Soft Comput. Gérard Assayag, Vittorio Cafagna, Marc Chemillier
2004	J	`jnl`	Using Factor Oracles for Machine Improvisation. Soft Comput. Gérard Assayag, Shlomo Dubnov
2003	J	`jnl`	Using Machine-Learning Methods for Musical Style Modeling. Computer Shlomo Dubnov, Gérard Assayag, Olivier Lartillot, Gill Bejerano
2002	—	`conf`	Programmation visuelle et editeurs musicaux pour la composition assistée par ordinateur. IHM Carlos Agón, Gérard Assayag
2002	—	`conf`	Representation and Rendering of Rhythm Structures. WEDELMUSIC Carlos Agón, Karim Haddad, Gérard Assayag
2001	—	`conf`	Automatic Modeling of Musical Style. ICMC Olivier Lartillot, Shlomo Dubnov, Gérard Assayag, Gill Bejerano
2001	J	`jnl`	Integrating Constraints and Concurrent Objects in Musical Applications: A Calculus and its Visual Language. Constraints An Int. J. Camilo Rueda, Gloria Alvarez, Luis Quesada, Gabriel Tamura, Frank D. Valencia, Juan Francisco Díaz, Gérard Assayag
2001	—	`conf`	Recherche adaptative et contraintes musicales. JFPLC Charlotte Truchet, Carlos Agón, Gérard Assayag
2001	—	`conf`	Visual and Adaptive Constraint Programming in Music. ICMC Charlotte Truchet, Gérard Assayag, Philippe Codognet
2000	—	`conf`	High Level Musical Control of Sound Synthesis in OpenMusic. ICMC Carlos Agón, Marco Stroppa, Gérard Assayag
1999	J	`jnl`	Computer-Assisted Composition at IRCAM: From PatchWork to OpenMusic. Comput. Music. J. Gérard Assayag, Camilo Rueda, Mikael Laurson, Carlos Agón, Olivier Delerue
1999	—	`conf`	Guessing the Composer's Mind: Applying Universal Prediction to Musical Style. ICMC Gérard Assayag, Shlomo Dubnov, Olivier Delerue
1998	—	`conf`	Objects, Time and Constraints in OpenMusic. ICMC Carlos Agón, Gérard Assayag, Olivier Delerue, Camilo Rueda
1998	—	`conf`	Universal Classification Applied to Musical Sequences. ICMC Shlomo Dubnov, Gérard Assayag, Ran El-Yaniv
1997	—	`conf`	An Object Oriented Visual Environment For Musical Composition. ICMC Gérard Assayag, Carlos Agón, Joshua Fineberg, Peter Hanappe
1996	—	`conf`	OpenMusic Architecture. ICMC Gérard Assayag, Carlos Agón
1995	—	`conf`	Visual Programming in Music. ICMC Gérard Assayag
1994	—	`conf`	Kant: a Critique of Pure Quantification. ICMC Carlos Agón, Gérard Assayag, Joshua Fineberg, Camilo Rueda
1993	—	`conf`	The Music Representation Project at IRCAM. ICMC Gérard Assayag, Camilo Rueda
1992	—	`conf`	Spatializer: From Room Acoustics to Virtual Acoustics. ICMC Georges Bloch, Gérard Assayag, Olivier Warusfel, Jean-Pascal Jullien
1987	—	`conf`	Computer Printing, Storage, and Transfer of Musical Scores. ICMC Gérard Assayag, Dan Timis
1986	—	`conf`	A ToolBox for Music Notation. ICMC Gérard Assayag, Dan Timis
1986	—	`conf`	Duration Structure Generation and Recognition in Musical Writing. ICMC Emmanuel Amiot, Gérard Assayag, Claudy Malherbe, André Riotte
1985	—	`conf`	Functional Integration of Complex Instrumental Sounds in Musical Writing. ICMC Claudy Malherbe, Gérard Assayag, Michèle Castellengo