Estefanía Cano

39 papers A 1C 1Misc 3Journal 12Unranked 20

Year	Rank	Type	Title / Venue / Authors
2025	J	`jnl`	Personalisation and profiling using algorithms and not-so-popular Colombian music: goal-directed mechanisms in music emotion recognition. EPJ Data Sci. Juan Sebastián Gómez Cañón, Thomas Magnus Lennie, Tuomas Eerola, Pablo Aragón, Estefanía Cano, Perfecto Herrera, Emilia Gómez
2023	J	`jnl`	TROMPA-MER: an open dataset for personalized music emotion recognition. J. Intell. Inf. Syst. Juan Sebastián Gómez Cañón, Nicolás Felipe Gutiérrez Páez, Lorenzo Porcaro, Alastair Porter, Estefanía Cano, Perfecto Herrera-Boyer, Aggelos Gkiokas, Patricia Santos, Davinia Hernández-Leo, Casper Karreman, Emilia Gómez
2023	—	`conf`	Uncertainty in Semi-Supervised Audio Classification - A Novel Extension for FixMatch. EUSIPCO Sascha Grollmisch, Estefanía Cano, Hanna M. Lukashevich, Jakob Abeßer
2021	—	`conf`	Knowledge Transfer from Neural Networks for Speech Music Classification. CMMR Christian Kehling, Estefanía Cano
2021	Misc	`conf`	Language-Sensitive Music Emotion Recognition Models: are We Really There Yet? ICASSP Juan Sebastián Gómez Cañón, Estefanía Cano, Ana Gabriela Pandrea, Perfecto Herrera, Emilia Gómez
2021	—	`conf`	Let's agree to disagree: Consensus Entropy Active Learning for Personalized Music Emotion Recognition. ISMIR Juan Sebastián Gómez Cañón, Estefanía Cano, Yi-Hsuan Yang, Perfecto Herrera, Emilia Gómez
2021	J	`jnl`	Music Emotion Recognition: Toward new, robust standards in personalized and context-sensitive applications. IEEE Signal Process. Mag. Juan Sebastián Gómez Cañón, Estefanía Cano, Tuomas Eerola, Perfecto Herrera, Xiao Hu, Yi-Hsuan Yang, Emilia Gómez
2021	J	`jnl`	Personalized musically induced emotions of not-so-popular Colombian music. CoRR Juan Sebastián Gómez Cañón, Perfecto Herrera, Estefanía Cano, Emilia Gómez
2021	J	`jnl`	Sesquialtera in the Colombian Bambuco: Perception and Estimation of Beat and Meter - Extended version. Trans. Int. Soc. Music. Inf. Retr. Estefanía Cano, Fernando Mora Ángel, Gustavo López Gil, José Ricardo Zapata, Antonio Escamilla, Juan Fernando Alzate, Moises Betancur Peláez
2020	—	`conf`	Analyzing the Potential of Pre-Trained Embeddings for Audio Classification Tasks. EUSIPCO Sascha Grollmisch, Estefanía Cano, Christian Kehling, Michael Taenzer
2020	J	`jnl`	Degradation effects of water immersion on earbud audio quality. CoRR Scott Beveridge, Steffen A. Herff, Estefanía Cano
2020	J	`jnl`	Examining the Mapping Functions of Denoising Autoencoders in Singing Voice Separation. IEEE ACM Trans. Audio Speech Lang. Process. Stylianos Ioannis Mimilakis, Konstantinos Drossos, Estefanía Cano, Gerald Schuller
2020	—	`conf`	Joyful for you and tender for us: the influence of individual characteristics and language on emotion labeling and classification. ISMIR Juan Sebastián Gómez Cañón, Estefanía Cano, Perfecto Herrera, Emilia Gómez
2020	—	`conf`	Sesquialtera in the Colombian bambuco: Perception and estimation of beat and meter. ISMIR Estefanía Cano, Fernando Mora Ángel, Gustavo López Gil, José Ricardo Zapata, Antonio Escamilla, Juan Fernando Alzate Londoño, Moises Betancur Peláez
2020	—	`conf`	Transfer learning from speech to music: towards language-sensitive emotion recognition models. EUSIPCO Juan Sebastián Gómez Cañón, Estefanía Cano, Perfecto Herrera, Emilia Gómez
2019	—	`conf`	Ensemble Size Classification in Colombian Andean String Music Recordings. CMMR Sascha Grollmisch, Estefanía Cano, Fernando Mora Ángel, Gustavo López Gil
2019	J	`jnl`	Examining the Mapping Functions of Denoising Autoencoders in Music Source Separation. CoRR Stylianos Ioannis Mimilakis, Konstantinos Drossos, Estefanía Cano, Gerald Schuller
2019	—	`conf`	Microtiming Analysis in Traditional Shetland Fiddle Music. ISMIR Estefanía Cano, Scott Beveridge
2019	J	`jnl`	Musical Source Separation: An Introduction. IEEE Signal Process. Mag. Estefanía Cano, Derry FitzGerald, Antoine Liutkus, Mark D. Plumbley, Fabian-Robert Stöter
2019	C	`conf`	Selective Hearing: A Machine Listening Perspective. MMSP Estefanía Cano, Hanna M. Lukashevich
2019	J	`jnl`	The emotions that we perceive in music: the influence of language and lyrics comprehension on agreement. CoRR Juan Sebastián Gómez Cañón, Perfecto Herrera, Emilia Gómez, Estefanía Cano
2018	Misc	`conf`	Examining the Perceptual Effect of Alternative Objective Functions for Deep Learning Based Music Source Separation. ACSSC Stylianos Ioannis Mimilakis, Estefanía Cano, Derry FitzGerald, Konstantinos Drossos, Gerald Schuller
2018	—	`conf`	Jazz Solo Instrument Classification with Convolutional Neural Networks, Source Separation, and Transfer Learning. ISMIR Juan S. Gómez, Jakob Abeßer, Estefanía Cano
2018	Misc	`conf`	The Dimensions of Perceptual Quality of Sound Source Separation. ICASSP Estefanía Cano, Judith Liebetrau, Derry FitzGerald, Karlheinz Brandenburg
2017	—	`conf`	Exploring sound source separation for acoustic condition monitoring in industrial scenarios. EUSIPCO Estefanía Cano, Johannes Nowak, Sascha Grollmisch
2017	J	`jnl`	Score-Informed Analysis of Tuning, Intonation, Pitch Modulation, and Dynamics in Jazz Solos. IEEE ACM Trans. Audio Speech Lang. Process. Jakob Abeßer, Klaus Frieler, Estefanía Cano, Martin Pfleiderer, Wolf-Georg Zaddach
2016	—	`conf`	Evaluation of quality of sound source separation algorithms: Human perception vs quantitative metrics. EUSIPCO Estefanía Cano, Derry FitzGerald, Karlheinz Brandenburg
2015	—	`conf`	New Sonorities for Early Jazz Recordings Using Sound Source Separation and Automatic Mixing Tools. ISMIR Daniel Matz, Estefanía Cano, Jakob Abeßer
2015	—	`conf`	Score-Informed Analysis of Intonation and Pitch Modulation in Jazz Solos. ISMIR Jakob Abeßer, Estefanía Cano, Klaus Frieler, Martin Pfleiderer, Wolf-Georg Zaddach
2014	—	`conf`	A Mid-Level Approach to Local Tonality Analysis: Extracting Key Signatures from Audio. Semantic Audio Christof Weiß, Estefanía Cano, Hanna M. Lukashevich
2014	A	`conf`	Phase-based harmonic/percussive separation. INTERSPEECH Estefanía Cano, Mark D. Plumbley, Christian Dittmar
2014	J	`jnl`	Pitch-informed solo and accompaniment separation towards its use in music education applications. EURASIP J. Adv. Signal Process. Estefanía Cano, Gerald Schuller, Christian Dittmar
2014	—	`ch.`	Tonhöheninformierten Trennung in Solo- und Begleitspuren. Ausgezeichnete Informatikdissertationen Estefanía Cano
2012	—	`conf`	Efficient implementation of a system for solo and accompaniment separation in polyphonic music. EUSIPCO Estefanía Cano, Christian Dittmar, Gerald Schuller
2012	—	`conf`	Improved music similarity computation based on tone objects. Audio Mostly Conference Johannes Krasser, Jakob Abeßer, Holger Großmann, Christian Dittmar, Estefanía Cano
2012	—	`ch.`	Music Information Retrieval Meets Music Education. Multimodal Music Processing Christian Dittmar, Estefanía Cano, Jakob Abeßer, Sascha Grollmisch
2012	—	`conf`	Towards lyrics spotting in the SyncGlobal project. CIP Christian Dittmar, Pedro Mercado, Holger Grossmann, Estefanía Cano
2011	—	`conf`	Influence of Phase, Magnitude and Location ofHarmonic Components in the Perceived Quality of Extracted Solo Signals. Semantic Audio Estefanía Cano, Christian Dittmar, Gerald Schuller
2010	—	`conf`	Songs2See and GlobalMusic2One: Two Applied Research Projects in Music Information Retrieval at Fraunhofer IDMT. CMMR Christian Dittmar, Holger Großmann, Estefanía Cano, Sascha Grollmisch, Hanna M. Lukashevich, Jakob Abeßer