Charles Martin

12 papers A* 2Misc 1Journal 1Unranked 8
YearRankTypeTitle / Venue / Authors
2022 — conf
Cubing Sound: Designing a NIME for Head-mounted Augmented Reality.
NIME
Yichen Wang, Charles Martin
2022 Misc ed.
Proceedings of the 34th Australian Conference on Human-Computer Interaction, OzCHI 2022, Canberra, ACT, Australia, 29 November 2022 - 2 December 2022.
OZCHI
Penny Sweetser, Jennyfer Lawrence Taylor, Charles Martin, Dana McMay, Melissa J. Rogerson, Bronwyn J. Cumbo, Greg Wadley, Luke Hespanhol, Jess Tsimeris, Mingze Xi, Jane Turner, Soojeong Yoo, Ned Cooper, Jessica S. Rahman, Josh Andres, Ajit G. Pillai, Cat Kutay
2020 J jnl
Performing with a Mobile Computer System for Vibraphone.
CoRR
Charles Martin
2016 A* conf
Intelligent Agents and Networked Buttons Improve Free-Improvised Ensemble Music-Making on Touch-Screens.
CHI
Charles Martin, Henry J. Gardner, Ben Swift, Michael A. Martin
2015 — conf
Tracking ensemble performance on touch-screens with gesture classification and transition matrices.
NIME
Charles Martin, Henry J. Gardner, Ben Swift
2014 — conf
A Percussion-Focussed Approach to Preserving Touch-Screen Improvisation.
Art@CHI
Charles Martin, Henry J. Gardner
2014 A* conf
Exploring percussive gesture on iPads with ensemble metatone.
CHI
Charles Martin, Henry J. Gardner, Ben Swift
2014 — conf
Metatravels and metalonsdale: ipad apps for percussive improvisation.
CHI Extended Abstracts
Charles Martin, Henry J. Gardner, Ben Swift
2013 — conf
Integrating Mobile Music with Percussion Performance Practice.
ICMC
Charles Martin
2013 — conf
Performing with a Mobile Computer System for Vibraphone.
NIME
Charles Martin
2011 — conf
Strike on Stage: a Percussion and Media Performance.
NIME
Charles Martin, Chi-Hsia Lai
2010 — conf
Cross-Artform Performance Using Networked Interfaces: Last Man to Die's Vital LMTD.
NIME
Charles Martin, Benjamin Forster, Hanna Cormick