Carlos Agón

44 papers A* 2A 1B 1Misc 1Journal 9Unranked 28
YearRankTypeTitle / Venue / Authors
2024 — conf
A Model of Scores as Abstract Syntactic Trees.
MCM
Gonzalo Romero-García, Carlos Agón, Isabelle Bloch
2024 — conf
Mathematical Morphology Applied to Feature Extraction in Music Spectrograms.
DGMM
Gonzalo Romero-García, Isabelle Bloch, Carlos Agón
2024 — conf
The Maquette Monad.
FARM
Carlos Agón, Karim Haddad, Gonzalo Romero-García
2022 — conf
Computational Analysis of Musical Structures Based on Morphological Filters.
MCM
Paul Lascabettes, Carlos Agón, Moreno Andreatta, Isabelle Bloch
2022 — conf
Mathematical Morphology Operators for Harmonic Analysis.
MCM
Gonzalo Romero-García, Isabelle Bloch, Carlos Agón
2018 Misc conf
Musical Descriptions Based on Formal Concept Analysis and Mathematical Morphology.
ICCS
Carlos Agón, Moreno Andreatta, Jamal Atif, Isabelle Bloch, Pierre Mascarade
2017 — conf
Interactive computer-aided composition with constraints.
ICMC
Pierre Talbot, Carlos Agón, Philippe Esling
2015 J jnl
Gelisp: A Library to Represent Musical CSPs and Search Strategies.
CoRR
Mauricio Toro, Camilo Rueda, Carlos Agón, Gérard Assayag
2015 J jnl
NTCCRT: A concurrent constraint framework for real-time interaction (extended version).
CoRR
Mauricio Toro, Camilo Rueda, Carlos Agón, Gérard Assayag
2014 — conf
Modulus p Rhythmic Tiling Canons and some implementations in Open Music visual programming language.
ICMC
Hélianthe Caure, Carlos Agón, Moreno Andreatta
2014 — conf
PaperComposer: creating interactive paper interfaces for music composition.
IHM
Jérémie Garcia, Theophanis Tsandilas, Carlos Agón, Wendy E. Mackay
2014 A conf
Structured observation with polyphony: a multifaceted tool for studying music composition.
Conference on Designing Interactive Systems
Jérémie Garcia, Theophanis Tsandilas, Carlos Agón, Wendy E. Mackay
2013 J jnl
Multiobjective Time Series Matching for Audio Classification and Retrieval.
IEEE Trans. Speech Audio Process.
Philippe Esling, Carlos Agón
2012 A* conf
Interactive paper substrates to support musical creation.
CHI
Jérémie Garcia, Theophanis Tsandilas, Carlos Agón, Wendy E. Mackay
2012 J jnl
Time-series data mining.
ACM Comput. Surv.
Philippe Esling, Carlos Agón
2011 — conf
InkSplorer: Exploring Musical Ideas on Paper and Computer.
NIME
Jérémie Garcia, Theophanis Tsandilas, Carlos Agón, Wendy E. Mackay
2011 — ed.
Mathematics and Computation in Music - Third International Conference, MCM 2011, Paris, France, June 15-17, 2011. Proceedings
MCM
Carlos Agón, Moreno Andreatta, Gérard Assayag, Emmanuel Amiot, Jean Bresson, John Mandereau
2011 J jnl
OMChroma: Compositional Control of Sound Synthesis.
Comput. Music. J.
Carlos Agón, Jean Bresson, Marco Stroppa
2011 A* conf
OpenMusic: visual programming environment for music composition, analysis and research.
ACM Multimedia
Jean Bresson, Carlos Agón, Gérard Assayag
2011 B conf
Visual programming and music score generation with OpenMusic.
VL/HCC
Jean Bresson, Carlos Agón
2010 — conf
Composition Of Sound Mixtures With Spectral Maquettes.
ICMC
Philippe Esling, Carlos Agón
2010 — conf
Dynamic Musical Orchestration Using Genetic Algorithms and a Spectro-Temporal Description of Musical Instruments.
EvoApplications (2)
Philippe Esling, Grégoire Carpentier, Carlos Agón
2010 — conf
Processing Sound And Music Description Data Using Openmusic.
ICMC
Jean Bresson, Carlos Agón
2009 — conf
Ntccrt: A Concurrent Constraint Framework for Real-Time Interaction.
ICMC
Mauricio Toro-Bermúdez, Camilo Rueda, Carlos Agón, Gérard Assayag
2009 J jnl
Visual Lisp/CLOS programming in OpenMusic.
High. Order Symb. Comput.
Jean Bresson, Carlos Agón, Gérard Assayag
2008 — conf
OpenMusic: Design and Implementation Aspects of a Visual Programming Language.
ELS
Carlos Agón, Jean Bresson, Gérard Assayag
2008 J jnl
Scores, Programs, and Time Representation: The Sheet Object in OpenMusic.
Comput. Music. J.
Jean Bresson, Carlos Agón
2007 — ed.
Proceedings of the 19th Conference on l'Interaction Homme-Machine, IHM 2007, Paris, France, November 12-15, 2007
IHM
Carlos Agón, Olivier Delerue
2006 — conf
Fourier Oracles for Computer-Aided Improvisation.
ICMC
Emmanuel Amiot, Thomas Noll, Moreno Andreatta, Carlos Agón
2005 — conf
Symbolic control of sound synthesis in Computer Assisted Composition.
ICMC
Jean Bresson, Marco Stroppa, Carlos Agón
2005 — conf
Tiling the (Musical) Line with polynomials: some Theoretical and implementational Aspects.
ICMC
Emmanuel Amiot, Moreno Andreatta, Carlos Agón
2004 J jnl
On some theoretical and computational aspects of Anatol Vieru's periodic sequences.
Soft Comput.
Moreno Andreatta, D. T. Vuza, Carlos Agón
2004 — conf
SDIF sound description data representation and manipulation in computer assisted composition.
ICMC
Jean Bresson, Carlos Agón
2003 — conf
Implementing algebraic methods in OpenMusic.
ICMC
Moreno Andreatta, Carlos Agón
2002 — conf
Programmation visuelle et editeurs musicaux pour la composition assistée par ordinateur.
IHM
Carlos Agón, Gérard Assayag
2002 — conf
Representation and Rendering of Rhythm Structures.
WEDELMUSIC
Carlos Agón, Karim Haddad, Gérard Assayag
2002 — conf
Tiling problems in music composition: Theory and Implementation.
ICMC
Moreno Andreatta, Carlos Agón, Emmanuel Amiot
2001 — conf
Recherche adaptative et contraintes musicales.
JFPLC
Charlotte Truchet, Carlos Agón, Gérard Assayag
2000 — conf
High Level Musical Control of Sound Synthesis in OpenMusic.
ICMC
Carlos Agón, Marco Stroppa, Gérard Assayag
1999 J jnl
Computer-Assisted Composition at IRCAM: From PatchWork to OpenMusic.
Comput. Music. J.
Gérard Assayag, Camilo Rueda, Mikael Laurson, Carlos Agón, Olivier Delerue
1998 — conf
Objects, Time and Constraints in OpenMusic.
ICMC
Carlos Agón, Gérard Assayag, Olivier Delerue, Camilo Rueda
1997 — conf
An Object Oriented Visual Environment For Musical Composition.
ICMC
Gérard Assayag, Carlos Agón, Joshua Fineberg, Peter Hanappe
1996 — conf
OpenMusic Architecture.
ICMC
Gérard Assayag, Carlos Agón
1994 — conf
Kant: a Critique of Pure Quantification.
ICMC
Carlos Agón, Gérard Assayag, Joshua Fineberg, Camilo Rueda