Andrew P. McPherson

100 papers A* 9A 8B 5Journal 15Unranked 57

Year	Rank	Type	Title / Venue / Authors
2025	J	`jnl`	Designing Neural Synthesizers for Low Latency Interaction. CoRR Franco Caspe, Jordie Shier, Mark B. Sandler, Charalampos Saitis, Andrew P. McPherson
2025	—	`conf`	Listening Together-Apart: On the Social Mediation of Sound Installation Listening. Audio Mostly Conference Nicole Robson, Andrew P. McPherson, Nick Bryan-Kinns
2025	J	`jnl`	The Qualities of Convivial Tools and Their Relevance to Music Software Accessibility. ACM Trans. Access. Comput. Alex Lucas, James Cunningham, Jacob Harrison, Franziska Schroeder, Andrew P. McPherson
2024	A*	`conf`	Entangling Entanglement: A Diffractive Dialogue on HCI and Musical Interactions. CHI Landon Morrison, Andrew P. McPherson
2024	J	`jnl`	Shifting Ambiguity, Collapsing Indeterminacy: Designing with Data as Baradian Apparatus. ACM Trans. Comput. Hum. Interact. Courtney N. Reed, Adán L. Benito, Franco Caspe, Andrew P. McPherson
2024	A	`conf`	Sonic Entanglements with Electromyography: Between Bodies, Signals, and Representations. Conference on Designing Interactive Systems Courtney N. Reed, Landon Morrison, Andrew P. McPherson, David Fierro, Atau Tanaka
2024	A*	`conf`	Thinking with Sound: Exploring the Experience of Listening to an Ultrasonic Art Installation. CHI Nicole Robson, Andrew P. McPherson, Nick Bryan-Kinns
2023	J	`jnl`	A Review of Differentiable Digital Signal Processing for Music & Speech Synthesis. CoRR Ben Hayes, Jordie Shier, György Fazekas, Andrew P. McPherson, Charalampos Saitis
2023	J	`jnl`	Differentiable Modelling of Percussive Audio with Transient and Spectral Synthesis. CoRR Jordie Shier, Franco Caspe, Andrew Robertson, Mark Sandler, Charalampos Saitis, Andrew P. McPherson
2023	—	`conf`	FM Tone Transfer with Envelope Learning. Audio Mostly Conference Franco Caspe, Andrew P. McPherson, Mark B. Sandler
2023	J	`jnl`	FM Tone Transfer with Envelope Learning. CoRR Franco Caspe, Andrew P. McPherson, Mark Sandler
2023	A*	`conf`	Negotiating Experience and Communicating Information Through Abstract Metaphor. CHI Courtney N. Reed, Paul Strohmeier, Andrew P. McPherson
2023	J	`jnl`	Pipeline for recording datasets and running neural networks on the Bela embedded hardware platform. CoRR Teresa Pelinski, Rodrigo Diaz, Adan L. Benito Temprano, Andrew P. McPherson
2023	—	`conf`	Real-Time Percussive Technique Recognition and Embedding Learning for the Acoustic Guitar. ISMIR Andrea Martelloni, Andrew P. McPherson, Mathieu Barthet
2023	J	`jnl`	Real-time Percussive Technique Recognition and Embedding Learning for the Acoustic Guitar. CoRR Andrea Martelloni, Andrew P. McPherson, Mathieu Barthet
2023	B	`conf`	The Body as Sound: Unpacking Vocal Embodiment through Auditory Biofeedback. TEI Courtney N. Reed, Andrew P. McPherson
2023	A	`conf`	What the Sensor Knows: More-Than-Human Knowledge Co-Production in Wood Carving. Conference on Designing Interactive Systems Charlotte Nordmoen, Andrew P. McPherson
2022	A	`conf`	Making space for material entanglements: A diffractive analysis of woodwork and the practice of making an interactive system. Conference on Designing Interactive Systems Charlotte Nordmoen, Andrew P. McPherson
2022	A	`conf`	Material Matters: Exploring Materiality in Digital Musical Instruments Design. Conference on Designing Interactive Systems Jianing Zheng, Nick Bryan-Kinns, Andrew P. McPherson
2022	—	`conf`	Singing Knit: Soft Knit Biosensing for Augmenting Vocal Performances. AHs Courtney N. Reed, Sophie Skach, Paul Strohmeier, Andrew P. McPherson
2022	—	`conf`	Sound -> Object -> Gesture: Physical Affordances of Virtual Materials. Audio Mostly Conference Jonathan Pigrem, Andrew P. McPherson, Nick Bryan-Kinns, Robert H. Jack
2022	A*	`conf`	Super Size Me: Interface Size, Identity and Embodiment in Digital Musical Instrument Design. CHI Lia Mice, Andrew P. McPherson
2021	J	`jnl`	Embrace the Weirdness: Negotiating Values Inscribed into Music Technology. Comput. Music. J. Giacomo Lepri, Andrew P. McPherson
2021	J	`jnl`	Performer Experience on a Continuous Keyboard Instrument. Comput. Music. J. Giulio Moro, Andrew P. McPherson
2021	B	`conf`	Surface Electromyography for Sensing Performance Intention and Musical Imagery in Vocalists. TEI Courtney N. Reed, Andrew P. McPherson
2020	—	`conf`	A NIME Of The Times: Developing an Outward-Looking Political Agenda For This Community. NIME Fabio Morreale, S. M. Astrid Bin, Andrew P. McPherson, Paul Stapleton, Marcelo M. Wanderley
2020	—	`conf`	A platform for low-latency continuous keyboard sensing and sound generation. NIME Giulio Moro, Andrew P. McPherson
2020	—	`conf`	Beholden to our tools: negotiating with technology while sketching digital instruments. NIME Andrew P. McPherson, Giacomo Lepri
2020	—	`conf`	Design for auditory imagery: altering instruments to explore performer fluency. NIME Andrea Guidi, Fabio Morreale, Andrew P. McPherson
2020	—	`conf`	Digital Musical Instruments as Research Products. NIME Robert H. Jack, Jacob Harrison, Andrew P. McPherson
2020	—	`conf`	From miming to NIMEing: the development of idiomatic gestural language on large scale DMIs. NIME Lia Mice, Andrew P. McPherson
2020	—	`conf`	Percussive Fingerstyle Guitar through the Lens of NIME: an Interview Study. NIME Andrea Martelloni, Andrew P. McPherson, Mathieu Barthet
2020	—	`conf`	Soma Design for NIME. NIME Juan Pablo Martinez-Avila, Vasiliki Tsaknaki, Pavel Karpashevich, Charles Windlin, Niklas Valenti, Kristina Höök, Andrew P. McPherson, Steve Benford
2020	—	`conf`	Surface Electromyography for Direct Vocal Control. NIME Courtney N. Reed, Andrew P. McPherson
2020	A	`conf`	Useless, not Worthless: Absurd Making as Critical Practice. Conference on Designing Interactive Systems Giacomo Lepri, Andrew P. McPherson, John Bowers
2019	—	`conf`	Accessible Instruments in the Wild: Engaging with a Community of Learning-Disabled Musicians. CHI Extended Abstracts Jacob Harrison, Alan Chamberlain, Andrew P. McPherson
2019	—	`conf`	Bricolage in a hybrid digital lutherie context: a workshop study. Audio Mostly Conference Jack Armitage, Andrew P. McPherson
2019	—	`conf`	Embodied Cognition in Performers of Large Acoustic Instruments as a Method of Designing New Large Digital Musical Instruments. CMMR Lia Mice, Andrew P. McPherson
2019	J	`jnl`	Evolving the process of a virtual composer. Nat. Comput. Csaba Sulyok, Andrew P. McPherson, Christopher Harte
2019	A*	`conf`	Failing with Style: Designing for Aesthetic Failure in Interactive Performance. CHI Adrian Hazzard, Chris Greenhalgh, Maria Kallionpää, Steve Benford, Anne Veinberg, Zubin Kanga, Andrew P. McPherson
2019	—	`conf`	Fictional instruments, real values: discovering musical backgrounds with non-functional prototypes. NIME Giacomo Lepri, Andrew P. McPherson
2019	—	`conf`	Magpick: an Augmented Guitar Pick for Nuanced Control. NIME Fabio Morreale, Andrea Guidi, Andrew P. McPherson
2019	A	`conf`	Making Sense of Sensors: Discovery Through Craft Practice With an Open-Ended Sensor Material. Conference on Designing Interactive Systems Charlotte Nordmoen, Jack Armitage, Fabio Morreale, Rebecca Stewart, Andrew P. McPherson
2019	A	`conf`	Making Up Instruments: Design Fiction for Value Discovery in Communities of Musical Practice. Conference on Designing Interactive Systems Giacomo Lepri, Andrew P. McPherson
2019	—	`ch.`	Music, Design and Ethnography: An Interview with Steve Benford. New Directions in Music and Human-Computer Interaction Andrew P. McPherson, Steve Benford
2019	—	`ch.`	Musical Instruments for Novices: Comparing NIME, HCI and Crowdfunding Approaches. New Directions in Music and Human-Computer Interaction Andrew P. McPherson, Fabio Morreale, Jacob Harrison
2019	—	`book`	New Directions in Music and Human-Computer Interaction Simon Holland, Tom Mudd, Katie Wilkie-McKenna, Andrew P. McPherson, Marcelo M. Wanderley
2019	—	`conf`	Separating sound from source: sonic transformation of the violin through electrodynamic pickups and acoustic actuation. NIME Laurel Pardue, Kurijn Buys, Dan Overholt, Andrew P. McPherson, Michael Edinger
2019	—	`ch.`	The Poetry of Strange Connections: An Interview with Bill Verplank. New Directions in Music and Human-Computer Interaction Andrew P. McPherson, Bill Verplank
2019	—	`ch.`	Understanding Music Interaction, and Why It Matters. New Directions in Music and Human-Computer Interaction Simon Holland, Tom Mudd, Katie Wilkie-McKenna, Andrew P. McPherson, Marcelo M. Wanderley
2018	—	`conf`	Crafting Digital Musical Instruments: An Exploratory Workshop Study. NIME Jack Armitage, Andrew P. McPherson
2018	—	`conf`	Democratising DMIs: the relationship of expertise and control intimacy. NIME Robert H. Jack, Jacob Harrison, Fabio Morreale, Andrew P. McPherson
2018	—	`conf`	Do We Speak Sensor? Cultural Constraints of Embodied Interaction . NIME Jon Pigrem, Andrew P. McPherson
2018	J	`jnl`	Hackable Instruments: Supporting Appropriation and Modification in Digital Musical Interaction. Frontiers ICT Victor Zappi, Andrew P. McPherson
2018	—	`conf`	Mirroring the past, from typewriting to interactive art: an approach to the re-design of a vintage technology. NIME Giacomo Lepri, Andrew P. McPherson
2018	—	`conf`	NIME Identity from the Performer's Perspective. NIME Fabio Morreale, Andrew P. McPherson, Marcelo M. Wanderley
2018	J	`jnl`	Real-Time Hit Classification in a Smart Cajón. Frontiers ICT Luca Turchet, Andrew P. McPherson, Mathieu Barthet
2018	—	`conf`	Risky business: Disfluency as a design strategy. NIME S. M. Astrid Bin, Nick Bryan-Kinns, Andrew P. McPherson
2018	—	`conf`	When is a Guitar not a Guitar? Cultural Form, Input Modality and Expertise. NIME Jacob Harrison, Robert H. Jack, Fabio Morreale, Andrew P. McPherson
2017	—	`conf`	An adapted bass guitar for one-handed playing. NIME Jacob Harrison, Andrew P. McPherson
2017	A*	`conf`	Building a Maker Community Around an Open Hardware Platform. CHI Fabio Morreale, Giulio Moro, Alan Chamberlain, Steve Benford, Andrew P. McPherson
2017	—	`conf`	Constraining Control in Mixed-Initiative Musical Interfaces. MICI@CHI Fabio Morreale, Raul Masu, Andrew P. McPherson
2017	—	`conf`	Design for longevity: ongoing use of instruments from nime 2010-14. NIME Fabio Morreale, Andrew P. McPherson
2017	—	`conf`	Hands where we can see them! Investigating the impact of gesture size on audience perception. ICMC S. M. Astrid Bin, Nick Bryan-Kinns, Andrew P. McPherson
2017	—	`conf`	In-the-moment and Beyond: Combining Post-hoc and Real-Time Data for the Study of Audience Perception of Electronic Music Performance. INTERACT (1) S. M. Astrid Bin, Fabio Morreale, Nick Bryan-Kinns, Andrew P. McPherson
2017	B	`conf`	Maintaining and Constraining Performer Touch in the Design of Digital Musical Instruments. TEI Robert H. Jack, Tony Stockman, Andrew P. McPherson
2017	—	`conf`	Piano pedaller: a measurement system for classification and visualisation of piano pedalling techniques. NIME Beici Liang, György Fazekas, Andrew P. McPherson, Mark B. Sandler
2017	—	`conf`	Rich gesture, reduced control: the influence of constrained mappings on performance technique. MOCO Robert H. Jack, Tony Stockman, Andrew P. McPherson
2017	—	`conf`	The finer the musician, the smaller the details: nimecraft under the microscope. NIME Jack Armitage, Fabio Morreale, Andrew P. McPherson
2016	—	`conf`	Action-Sound Latency: Are Our Tools Fast Enough? NIME Andrew P. McPherson, Robert H. Jack, Giulio Moro
2016	A	`conf`	Designing for Exploratory Play with a Hackable Digital Musical Instrument. Conference on Designing Interactive Systems Andrew P. McPherson, Alan Chamberlain, Adrian Hazzard, Sean McGrath, Steve Benford
2016	—	`conf`	Effect of latency on performer interaction and subjective quality assessment of a digital musical instrument. Audio Mostly Conference Robert H. Jack, Tony Stockman, Andrew P. McPherson
2016	—	`conf`	Music and HCI. CHI Extended Abstracts Simon Holland, Andrew P. McPherson, Wendy E. Mackay, Marcelo M. Wanderley, Michael D. Gurevich, Tom W. Mudd, Sile O'Modhrain, Katie L. Wilkie, Joseph Malloch, Jérémie Garcia, Andrew Johnston
2016	B	`conf`	Navigation of Pitch Space on a Digital Musical Instrument with Dynamic Tactile Feedback. TEI Robert H. Jack, Tony Stockman, Andrew P. McPherson
2016	B	`conf`	Performance-Led Design of Computationally Generated Audio for Interactive Applications. TEI Christian Heinrichs, Andrew P. McPherson
2016	—	`conf`	Skip the Pre-Concert Demo: How Technical Familiarity and Musical Style Affect Audience Response. NIME S. M. Astrid Bin, Nick Bryan-Kinns, Andrew P. McPherson
2015	J	`jnl`	Buttons, Handles, and Keys: Advances in Continuous-Control Keyboard Instruments. Comput. Music. J. Andrew P. McPherson
2015	—	`conf`	Corpus-taught Evolutionary Music Composition. ECAL Csaba Sulyok, Andrew P. McPherson, Christopher Harte
2015	—	`conf`	Exposing the scaffolding of digital instruments with hardware-software feedback loops. NIME Andrew P. McPherson, Victor Zappi
2015	—	`conf`	Highland piping ornament recognition using dynamic time warping. NIME Duncan Menzies, Andrew P. McPherson
2014	—	`conf`	Dimensionality and Appropriation in Digital Musical Instrument Design. NIME Victor Zappi, Andrew P. McPherson
2014	—	`conf`	Low-Latency Audio Pitch Tracking: A Multi-Modal Sensor-Assisted Approach. NIME Laurel Pardue, Dongjuan Nian, Christopher Harte, Andrew P. McPherson
2014	—	`conf`	Mapping and interaction strategies for performing environmental sound. SIVE@VR Christian Heinrichs, Andrew P. McPherson
2014	—	`conf`	Optical Measurement of Acoustic Drum Strike Locations. NIME Janis Sokolovskis, Andrew P. McPherson
2014	—	`conf`	Radear: A Tangible Spinning Music Sequencer. NIME Daniel Gábana Arellano, Andrew P. McPherson
2014	—	`conf`	The Talking Guitar: Headstock Tracking and Mapping Strategies. NIME Liam Donovan, Andrew P. McPherson
2013	—	`conf`	Near-Field Optical Reflective Sensing for Bow Tracking. NIME Laurel Pardue, Andrew P. McPherson
2013	—	`ch.`	Piano Technique as a Case Study in Expressive Gestural Interaction. Music and Human-Computer Interaction Andrew P. McPherson, Youngmoo E. Kim
2013	—	`conf`	Portable Measurement and Mapping of Continuous Piano Gesture. NIME Andrew P. McPherson
2013	A*	`conf`	The space between the notes: adding expressive pitch control to the piano keyboard. CHI Andrew P. McPherson, Adrian Gierakowski, Adam M. Stark
2012	—	`conf`	An Electronic Bagpipe Chanter for Automatic Recognition of Highland Piping Ornamentation. NIME Duncan Menzies, Andrew P. McPherson
2012	A*	`conf`	Recreating the parallax effect associated with Fishtank VR in a Real-Time telepresence system using head-tracking and a robotic camera. ISMAR Christian Heinrichs, Andrew P. McPherson
2012	—	`conf`	Techniques and Circuits for Electromagnetic Instrument Actuation. NIME Andrew P. McPherson
2012	—	`conf`	The EMvibe: An Electromagnetically Actuated Vibraphone. NIME N. Cameron Britt, Jeff Snyder, Andrew P. McPherson
2012	—	`conf`	The JD-1: an Implementation of a Hybrid Keyboard/Sequencer Controller for Analog Synthesizers. NIME Jeff Snyder, Andrew P. McPherson
2012	J	`jnl`	The Problem of the Second Performer: Building a Community Around an Augmented Piano. Comput. Music. J. Andrew P. McPherson, Youngmoo E. Kim
2012	—	`conf`	TouchKeys: Capacitive Multi-Touch Sensing on a Physical Keyboard. NIME Andrew P. McPherson
2011	A*	`conf`	Multidimensional gesture sensing at the piano keyboard. CHI Andrew P. McPherson, Youngmoo E. Kim
2010	—	`conf`	Augmenting the Acoustic Piano with Electromagnetic String Actuation and Continuous Key Position Sensing. NIME Andrew P. McPherson, Youngmoo E. Kim
2010	—	`conf`	Toward a computationally-enhanced acoustic grand piano. CHI Extended Abstracts Andrew P. McPherson, Youngmoo E. Kim