Andrew McPherson

22 papers A* 1A 1Journal 3Unranked 17

Year	Rank	Type	Title / Venue / Authors
2026	A*	`conf`	Design Explorations of Instruments and Interactions with Bidirectional Haptic Couplings. CHI Matthew Davison, Andrew McPherson
2024	J	`jnl`	Real-time Timbre Remapping with Differentiable DSP. CoRR Jordie Shier, Charalampos Saitis, Andrew Robertson, Andrew McPherson
2023	—	`conf`	A Scale-Based Ontology of Musical Instrument Design. NIME Jack Armitage, Thor Magnusson, Andrew McPherson
2023	—	`conf`	Exploring the (un)ambiguous guitar: A Qualitative Study on the use of Gesture Disambiguation in Augmented Instrument Design. NIME Adan L. Benito Temprano, Teodoro Dannemann, Andrew McPherson
2023	—	`conf`	Instructions Not Included: Dementia-Friendly approaches to DMI Design. NIME Jonathan Pigrem, Jennifer MacRitchie, Andrew McPherson
2023	—	`conf`	Pipeline for recording datasets and running neural networks on the Bela embedded hardware platform. NIME Teresa Pelinski, Rodrigo Diaz, Adan L. Benito Temprano, Andrew McPherson
2023	—	`conf`	Self-Sabotage Workshop: a starting point to unravel sabotaging of instruments as a design practice. NIME Teodoro Dannemann, Nick Bryan-Kinns, Andrew McPherson
2023	—	`conf`	Studying Subtle and Detailed Digital Lutherie: Motivational Contexts and Technical Needs. NIME Jack Armitage, Thor Magnusson, Andrew McPherson
2023	—	`conf`	Transmitting Digital Lutherie Knowledge: The Rashomon Effect for DMI Designers. NIME Eevee Zayas-Garin, Charlotte Nordmoen, Andrew McPherson
2023	A	`conf`	When Materials Meet Sound: Discovering the Meaning of Deformable Materials in Musical Interaction. Conference on Designing Interactive Systems Jianing Zheng, Andrew McPherson, Nick Bryan-Kinns
2022	—	`conf`	Being With The Waves: An Ultrasonic Art Installation Enabling Rich Interaction Without Sensors. NIME Nicole Robson, Andrew McPherson, Nick Bryan-Kinns
2022	—	`conf`	DDX7: Differentiable FM Synthesis of Musical Instrument Sounds. ISMIR Franco Caspe, Andrew McPherson, Mark Sandler
2022	J	`jnl`	DDX7: Differentiable FM Synthesis of Musical Instrument Sounds. CoRR Franco Caspe, Andrew McPherson, Mark Sandler
2022	—	`conf`	Dialogic Design of Accessible Digital Musical Instruments: Investigating Performer Experience. NIME Eevee Zayas-Garin, Andrew McPherson
2022	—	`conf`	Exploring Experiences with New Musical Instruments through Micro-phenomenology. NIME Courtney N. Reed, Charlotte Nordmoen, Andrea Martelloni, Giacomo Lepri, Nicole Robson, Eevee Zayas-Garin, Kelsey Cotton, Lia Mice, Andrew McPherson
2022	—	`conf`	Quantitative evaluation of aspects of embodiment in new digital musical instruments. NIME Andrea Guidi, Andrew McPherson
2022	—	`conf`	The 10, 000 Instruments Workshop - (Im)practical Research for Critical Speculation. NIME Giacomo Lepri, John Bowers, Samantha Topley, Paul Stapleton, Peter Bennett, Kristina Andersen, Andrew McPherson
2022	—	`conf`	The M in NIME: Motivic analysis and the case for a musicology of NIME performances. NIME Lia Mice, Andrew McPherson
2021	—	`conf`	A TMR Angle Sensor for Gesture Acquisition and Disambiguation on the Electric Guitar. Audio Mostly Conference Adan L. Benito Temprano, Andrew McPherson
2021	J	`jnl`	An embedded multichannel sound acquisition system for drone audition. CoRR Michael Clayton, Lin Wang, Andrew McPherson, Andrea Cavallaro
2021	—	`conf`	DMI Apprenticeship: Sharing and Replicating Musical Artefacts. NIME Luis Zayas-Garin, Jacob Harrison, Robert Jack, Andrew McPherson
2021	—	`conf`	Guitar augmentation for Percussive Fingerstyle: Combining self-reflexive practice and user-centred design. NIME Andrea Martelloni, Andrew McPherson, Mathieu Barthet